American fiction -- 20th century; Short stories, American
When my pretty young cousin and god-daughter, Flossie, fell in love
with Peter Carr, we all felt rather apprehensive about her future. But
Flossie faced the facts with an honest, even a rather grim resolution
which surprised us. She said with only a little tremor in her voice
that she never expected to occupy the place in Peter’s heart which
Eleanor Arling had taken forever, but that she loved him so much she
was willing to take whatever he could give her. It wasn’t _his_ fault,
she said, with the quaintest chivalric defiance of us, if poor Peter
hadn’t more to give. She thought a great love like that “was a noble
thing in any one’s life, even if it did make them perfectly miserable.”
If Miss Arling felt that personal happiness must be sacrificed for her
art, why, that was an exalted attitude to take, and Peter’s sorrow was
“sacred in her eyes”; and so on and so forth--the usual things that
are said in such cases by people who are in sympathy with that sort of
thing.
So they were married, with the understanding that Peter could still go
on worshiping the very sound of Eleanor Arling’s name and turning white
when he came across a mention of her or of her pictures in the cabled
news of the art world in Paris. Flossie was, so we all agreed, a good
sport if there ever was one, and she stuck gamely to her bargain. She
had transferred the big silver-framed photograph of Miss Arling from
Peter’s bachelor quarters to the wall of their new living room, and she
dusted it as conscientiously as she did the Botticelli Spring which I
gave her for a wedding present. It was not easy for her. I have seen
her flush deeply and set her lips hard as Peter looked up at the dusky
brooding eyes shadowed by the casque of black braids. Flossie is one of
the small, quick, humming-bird women, with nothing to set against Miss
Arling’s massive classic beauty, and by her expression at such moments,
I know she felt her defenselessness bitterly. But she never let Peter
see how she felt. She had taken him, the darkness of his unrequited
passion heavy on him, and if she ever regretted it, she gave no sign.
Public-domain text, read in full here on John Shaqi.
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