Raymond; or, Life and Death: With examples of the evidence for survival of memory and affection after death.Lodge, Oliver, Sir
Religion
Raymond; or, Life and Death: With examples of the evidence for survival of memory and affection after death.
Lodge, Oliver, Sir
Future life; Lodge, Raymond, 1889-1915 (Spirit); Spiritualism; World War, 1914-1918 -- Personal narratives, British
Whether it sounds credible or not, and it is certainly surprising, I
must testify that when a thing of any mobility is controlled in this
more direct way, it is able to convey touches of emotion and phases
of intonation, so to speak, in a most successful manner. A telegraph
key could hardly do it, its range of movement is too restricted,
it operates only in a discontinuous manner, by make and break;
but a light table, under these conditions, seems no longer inert,
it behaves as if animated. For the time it is animated--somewhat
perhaps as a violin or piano is animated by a skilled musician and
schooled to his will,--and the dramatic action thus attained is very
remarkable. It can exhibit hesitation, it can exhibit certainty; it
can seek for information, it can convey it; it can apparently ponder
before giving a reply; it can welcome a new-comer; it can indicate
joy or sorrow, fun or gravity; it can keep time with a song as if
joining in the chorus; and, most notable of all, it can exhibit
affection in an unmistakable manner.
The hand of a writing medium can do these things too; and that
the whole body of a normal person can display these emotions is
a commonplace. Yet they are all pieces of matter, though some
are more permanently animated than others. But all are animated
temporarily,--not one of them permanently,--and there appears to be
no sharp line of demarcation. What we have to realise is that matter
in any form is able to act as agent to the soul, and that by aid of
matter various emotions as well as intelligence can be temporarily
incarnated and displayed.
The extraction of elementary music from all manner of
unlikely objects--kitchen utensils, for instance--is a known
stage-performance. The utilisation of unlikely objects for purposes
of communication, though it would not have been expected, may have to
be included in the same general category.
With things made for the purpose, from a violin to the puppets of a
marionette show, we know that simple human passions can be shown and
can be roused. With things made for quiet other purposes it turns out
that the same sort of possibility exists.
Table-tilting is an old and despised form of amusement, known to many
families and often wisely discarded; but with care and sobriety and
seriousness even this can be used as a means of communication; and
the amount of mediumistic power necessary for this elementary form of
psychic activity appears to be distinctly less than would be required
for more elaborate methods.
Public-domain text, read in full here on John Shaqi.
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