Raymond; or, Life and Death: With examples of the evidence for survival of memory and affection after death.Lodge, Oliver, Sir
Religion
Raymond; or, Life and Death: With examples of the evidence for survival of memory and affection after death.
Lodge, Oliver, Sir
Future life; Lodge, Raymond, 1889-1915 (Spirit); Spiritualism; World War, 1914-1918 -- Personal narratives, British
FURTHER PRELIMINARY EXPLANATION
I must assume it known that messages purporting to come from various
deceased people have been received through various mediums, and
that the Society for Psychical Research has especially studied
those coming through Mrs. Piper--a resident in the neighbourhood of
Boston, U.S.A.--during the past thirty years. We were introduced to
her by Professor William James. My own experience with this lady
began during her visit to this country in 1889, and was renewed in
1906. The account has been fully published in the _Proceedings_ of
the Society for Psychical Research, vols. vi. and xxiii., and an
abbreviated version of some of the incidents there recorded can be
referred to in my book _The Survival of Man_.
It will be convenient, however, to explain here that some of the
communicators on the other side, like Mr. Myers and Dr. Richard
Hodgson, both now deceased, have appeared to utilise many mediums;
and that to allow for possible sophistication by normal mental
idiosyncrasies, and for any natural warping due to the physiological
mechanism employed, or to the brain-deposit from which selection
has to be made, we write the name of the ostensible communicator in
each case with a suffix--like Myers_{P}, Myers_{V}, etc.; meaning
by this kind of designation to signify that part of the Myers-like
intelligence which operates through Mrs. Piper or through Mrs.
Verrall, etc., respectively.
We know that communication must be hampered, and its form largely
determined, by the unconscious but inevitable influence of a
transmitting mechanism, whether that be of a merely mechanical or of
a physiological character. Every artist knows that he must adapt the
expression of his thought to his material, and that what is possible
with one 'medium,' even in the artist's sense of the word, is not
possible with another.
And when the method of communication is purely mental or telepathic,
we are assured that the communicator 'on the other side' has to
select from and utilise those ideas and channels which represent the
customary mental scope of the medium; though by practised skill and
ingenuity they can be woven into fresh patterns and be made to convey
to a patient and discriminating interpreter the real intention of the
communicator's thought. In many such telepathic communications the
physical form which the emergent message takes is that of automatic
or semiconscious writing or speech; the manner of the utterance being
fairly normal, but the substance of it appearing not to emanate
from the writer's or speaker's own mind: though but very seldom is
either the subject-matter or the language of a kind quite beyond the
writer's or speaker's normal capabilities.
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