Readers and Writers (1917-1921)Orage, A. R. (Alfred Richard)
History
Readers and Writers (1917-1921)
Orage, A. R. (Alfred Richard)
Literature, Modern -- History and criticism
For the humour of it, however, I will record a careful exception.
It appears, after all, that I was not so mad as I seemed. Perchance
newspaper, being only a feigned literature, induces only a feigned
madness. Be it as it may. I find that my current note-book, though
as handy and tempting to be destroyed as any other, was nevertheless
destroyed only after the cream of it had been whipped into the permanent
book which I have kept through many rages for a good many years. The
extracts are here before me as I write in convalescence. It is amusing to
me to observe, moreover, that their cream is not very rich. Much better
has gone into the bonfire. Why, then, did I save these and sacrifice
those? Look at a few of them. “Nobody’s anything always”—is there aught
irrecoverable in that to have compelled me to spare it? “Lots of window,
but no warehouse”—a remark, I fancy, intended to hit somebody or other
very hard indeed—but _does_ it? Is any of the present company fitted
with a cap? “The judgment of the world is good, but few can put it into
words.” That is a premonitory symptom, you will observe, of a remark made
a few lines above to the effect that literature is a personal expression
of a common opinion or judgment. I have plainly remembered it. _Apropos_
of the _New Age_, I must have told somebody, and stolen home to write it
down, that its career is that of a rocking-horse, all ups and downs but
never any getting forward. It is too true to be wholly amusing; let me
horse-laugh at it and pass it on. “A simple style is like sleep, it will
not come by effort.” Not altogether true, but true enough. The rest are
not much worse or better, and the puzzle is to explain why those should
be taken and these left.
Again _apropos_, may a physician who has healed himself offer this piece
of advice? Read your own note-books often. I have known some people who
have a library of note-books worth a dukedom, who never once looked into
them after having filled them. That is collecting mania pure and simple.
From another offensive angle what a confession of inferior taste is
made in preferring the note-books of others to one’s own. A little more
self-respect in this matter is clearly necessary if your conversation
is to be personal at all; for in all probability the references and
quotations you make _without_ the authority of your own collection are
hackneyed. They are the reach-me-downs of every encyclopædia. Is this the
reason that the vast majority of current quotations are as worn as they
are; that a constant reader, forewarned of the subject about to be dealt
with, is usually forearmed against the tags he will find employed in
it? In any case, the advice I have just given is the corrective of this
depressing phenomenon of modern writing. You have only to trade in your
own note-books to be, and to give the air of being, truly original.
Public-domain text, read in full here on John Shaqi.
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