Mexican literature -- Translations into English; Mexican prose literature
But, when he heard from the mouth of Angelito that Carmen had responded
to the gallantries of Rosas, when the boy described the scene which he
had witnessed, and in which, yielding to the desires of Alberto, the
orphan had permitted herself to be kissed, the very heavens seemed to
fall; he raged at seeing his love mocked and dragged in the mud, and
promptly told Doña Pancha all he had learned. The old woman strove to
calm him; made just remarks about Carmen’s origin, telling him that she
might have inherited the tendency to evil from her mother and the desire
for luxury, which had been _her_ perdition; she begged him to cut
completely loose from the orphan, and, fearful that he might, after the
first impression caused by what Angelito described had passed, involve
himself in humiliating love entanglements, appealed to her son’s
generous sentiments, not to again think of the girl. And she succeeded.
Gabriel armed himself with courage and fulfilled his promise. Hard, most
cruel, was the interview; his heart said: _pardon her_. Offended dignity
cried: _despise her_. Love repeated: _she loves you; is repentant, have
pity on her; see how you are trifling with your dearest illusions, with
all your hopes_; but in his ears resounded his mother’s voice, tender,
trembling with sympathy, supplicating, sad, _Gabriel, my boy, if you
love me, if you wish to repay me for all my cares, if you are a good
son, forget her!_ He loved her and he ought not to love her. He wanted
to despise her, to offend her, to outrage her, but he could not. He
loved her so much! Wounded self-esteem said with stern and imperious
accent: _leave her_.
When the cabinetmaker left his home that night, wishing to escape from
his grief, almost repenting what he had done, wandering aimlessly, he
journeyed through street after street, without note of distance. The
main street of the city, broad and endless, lay before him, with its
crooked line of lamps on either side, obscure and dismal in the
distance. So the future looks to us, when we are victims of some
unhappy disappointment, which shakes the soul as a cataclysm,--with not
a light of counsel, not a ray of hope on the horizon.
He arrived at the end of the city and on seeing the broad cart-road that
began there, passed a bridge, at the foot of a historic hill; he felt
tempted to undertake an endless journey to distant lands, where no one
knew him; to flee from Pluviosilla, that city fatal to his happiness,
forever. But, he thought--my mother?
Public-domain text, read in full here on John Shaqi.
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