Mexican literature -- Translations into English; Mexican prose literature
The customs of our ancestors, half Spanish, half indigenous, are
disappearing, replaced by a mixture of European practices, and now, in
the same house, one prays in the old fashion, clothes one’s self after
the French style, and eats after the Italian manner; one mounts his
horse or enters his coach _a la_ English, and conducts his business _a
la_ Yankee, in order to lose no time.
The fountains, those ancient fountains of the colonial epoch, have been
replaced by hydrants and troughs at every corner, and the traditional
type of the _aguador_ (water-carrier) is eclipsed and forced to betake
himself to those sections where the deep shadows of the electric lights
fall, and where the precious fluid does not flow of itself, except when
it pleases heaven to inundate the streets and alleys.
The _china_[10] has died, to live only in the beautiful romances of the
popular Fidel; the _chiera_[11] yields her gay and picturesque _puesto_
of refreshing waters, to the experienced _señorita_, who in high-heeled
shoes and tightly-laced bodice serves us iced drink in vessels of fine
crystal; the _sereno_,[12] with his shining, varnished hat, his ladder
on his shoulder and his lantern in his right hand, withdraws shame-faced
before the _gendarme_,[13] and thus with other types, whom the curious
investigator now encounters only in the pictures of forgotten books.
Who now remembers the habits of the humble friars, who once traveled
through the streets amid the respectful salutations of the faithful?
The coaches slung on straps, the gigs, the omnibuses--are all passing
away, all are forgotten in the noisy whirl of English and American
carriages and the confusion of the _tranvias_,[14] which rapidly slip
over their steel rails.
Mexico changes, principally, in its material part. The old houses fall
daily, façades change, the ancient wooden roofs give way to iron
sheeting.
The streets are being lengthened, their names are expressed in
cabalistic signs, and their historic and traditional associations are
relegated to the verses of our poets.
The city, born amid the rubbish of the heroic Tenochtitlan, the capital
city of the viceroyalty of New Spain, which had on every corner a chapel
or temple--or, at least, a picture of a saint--pious evidences of the
religion of the populace, now rejuvenates itself, appropriating those
old buildings, consecrated to some special purpose, to some use far
different, since the epoch of the Reform.
What was then a church is now a library; what was a convent, a barrack;
what was a customs house, a departmental office; a corridor becomes a
gallery; a _patio_, a warehouse; a refectory, a stable.
Public-domain text, read in full here on John Shaqi.
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