Short stories; United States -- Social life and customs -- 19th century -- Fiction
Produced by An Anonymous Volunteer, and David Widger
REBECCA MARY
By Annie Hamilton Donnell
Contents
The Hundred and Oneth
The Thousand Quilt
The Bible Dream
The Cookbook Diary
The Bereavement
The Feel Doll
The Plummer Kind
Article Seven
Un-Plummered
The Hundred and Oneth
Rebecca Mary took another stitch. Then another. “Ninety-sevvun, ninety-
eight,” she counted aloud, her little pointed face gravely intent. She
waited the briefest possible space before she took ninety-nine. It was
getting very close to the Time now. “At the hundred an' oneth,” Rebecca
Mary whispered. “It's almost it.” Her breath came quicker under her
tight little dress. Between her thin, light eyebrows a crease deepened
anxiously.
“Ninety—n-i-n-e,” she counted, “one hun-der-ed”—it was so very close
now! The next stitch would be the hundred and oneth. Rebecca Mary's face
suddenly grew quite white.
“I'll wait a m-minute,” she decided; “I'm just a little scared. When
you've been lookin' head to the hundred and oneth so LONG and you get
the very next door to it, it scares you a little. I'll wait until—oh,
until Thomas Jefferson crows, before I sew the hundred and oneth.”
Thomas Jefferson was prospecting under the currant bushes. Rebecca Mary
could see him distinctly, even with her nearsighted little eyes, for
Thomas Jefferson was snow-white. Once in a while he stalked dignifiedly
out of the bushes and crowed. He might do it again any minute now.
The great sheet billowed and floated round Rebecca Mary, scarcely whiter
than her face. She held her needle poised, waiting the signal of Thomas
Jefferson. At any minute.... He was coming out now! A fleck of snow-
white was pricking the green of the currant leaves.
“He's out. Any minute he'll begin to cr—” He was already beginning! The
warning signals were out—chest expanding, neck elongating, and great
white wing aflap.
“I'm just a little scared,” breathed the child in the foam of the sheet.
Then Thomas Jefferson crowed.
“Hundred and one!” Rebecca Mary cried out, clearly, courage born within
her at the crucial instant. The Time—the Time—had come. She had taken
her last stitch.
“It's over,” she panted. “It always was a-coming, and it's come. I knew
it would. When it's come, you don't feel quite so scared. I'm glad it's
over.”
She folded up the great sheet carefully, making all the edges meet with
painful precision. It took time. She had left the needle sticking in the
unfinished seam—in the hundred-and-oneth stitch—and close beside it was
a tiny dot of red to “keep the place.”
“Rebecca! Rebecca Mary!” Aunt Olivia always called like that. If there
had been still another name—Rebecca Mary Something Else—she would have
called: “Rebecca! Rebecca Mary! Rebecca Mary Something Else!”
“Yes'm; I'm here.”
“Where's 'here'?” sharply.
“HERE—the grape-arbor, I mean.”
“Have you got your sheet?”
“I—yes'm.”
“Is your stent 'most done?”
Public-domain text, read in full here on John Shaqi.
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