Short stories; United States -- Social life and customs -- 19th century -- Fiction
“Yes, yes; let me spread it out, mamma!”
“That's grand. Now if we only had a pink quilt—”
“I 'only have' one!” laughed Rhoda, hurrying after it.
The whole little room when they left, like the pins in the pincushion,
spelled “WELCOME.”
Aunt Olivia got up earlier than usual one day and went about the house
for a survey. The valise and the little carpetbag she carried downstairs
and out on to the front steps. Her face was whitened as if by a long
night's vigil. When she called Rebecca Mary it was with a voice strained
hoarse. The beautiful being Olivicia watched her with intent, unwinking
gaze. Could it be Olivicia understood?
“Hurry and dress, Rebecca Mary; there's a good deal to do,” Aunt Olivia
said at the door. She did not go in. “Yes, in your second-best—don't you
see I've put it out. You can wear that every day now, till—for a while.”
Something in the voice startled Rebecca Mary out of her subdued ecstasy
and sent her down to breakfast with a nameless fear tugging at her
heart.
“You're going to stay at the minister's—I've paid your board in
advance,” Aunt Olivia said, monotonously, as if it were her lesson. She
did not look at Rebecca Mary. “I've put in your long-sleeve aprons so
you can help do up the dishes. There's plenty of handkerchiefs to last.
You mustn't forget your rubbers when it's wet, or to make up your bed
yourself. I don't want you to make the minister's wife any more trouble
than you can help.”
The lesson went monotonously on, but Rebecca Mary scarcely heard. She
had heard the first sentence—her sentence, poor child! “You're going to
stay at the minister's—stay at the minister's—stay at the minister's.”
It said itself over and over again in her ears. In her need for somebody
to lean on, her startled gaze sought the beautiful being across the room
in agonized appeal.
But Olivicia was staring smilingly at Aunt Olivia. ET TU, OLIVICIA!
If Rebecca Mary had noticed, there was an appealing, wistful look in
Aunt Olivia's eyes too, in odd contrast to the firm lips that moved
steadily on with their lesson:
“You can walk to school with Rhoda, you'll enjoy that. You've never had
folks to walk with. And you can stay with her, only you mustn't forget
your stents. I've put in some towels to hem. Maybe the minister's wife
has got something; if so, hem hers first. You'll be like one o' the
family, and they're nice folks, but I want you to keep right on being a
Plummer.”
Years afterwards Rebecca Mary remembered the dizzy dance of the bottles
in the caster—they seemed to join hands and sway and swing about their
silver circlet and how Aunt Olivia's buttons marched and countermarched
up and down Aunt Olivia's alpaca dress. She did not look above the
buttons—she did not dare to. If she was to keep right on being a
Plummer, she must not cry.
Public-domain text, read in full here on John Shaqi.
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