Rebecca of Sunnybrook FarmWiggin, Kate Douglas Smith
General
Rebecca of Sunnybrook Farm
Wiggin, Kate Douglas Smith
Aunts -- Juvenile fiction; Girls -- Juvenile fiction; New England -- Juvenile fiction
The buff calico was faded, but scrupulously clean, and starched within
an inch of its life. From the little standing ruffle at the neck the
child's slender throat rose very brown and thin, and the head looked
small to bear the weight of dark hair that hung in a thick braid to her
waist. She wore an odd little vizored cap of white leghorn, which may
either have been the latest thing in children's hats, or some bit of
ancient finery furbished up for the occasion. It was trimmed with a
twist of buff ribbon and a cluster of black and orange porcupine
quills, which hung or bristled stiffly over one ear, giving her the
quaintest and most unusual appearance. Her face was without color and
sharp in outline. As to features, she must have had the usual number,
though Mr. Cobb's attention never proceeded so far as nose, forehead,
or chin, being caught on the way and held fast by the eyes. Rebecca's
eyes were like faith,--"the substance of things hoped for, the evidence
of things not seen." Under her delicately etched brows they glowed like
two stars, their dancing lights half hidden in lustrous darkness. Their
glance was eager and full of interest, yet never satisfied; their
steadfast gaze was brilliant and mysterious, and had the effect of
looking directly through the obvious to something beyond, in the
object, in the landscape, in you. They had never been accounted for,
Rebecca's eyes. The school teacher and the minister at Temperance had
tried and failed; the young artist who came for the summer to sketch
the red barn, the ruined mill, and the bridge ended by giving up all
these local beauties and devoting herself to the face of a child,--a
small, plain face illuminated by a pair of eyes carrying such messages,
such suggestions, such hints of sleeping power and insight, that one
never tired of looking into their shining depths, nor of fancying that
what one saw there was the reflection of one's own thought.
Mr. Cobb made none of these generalizations; his remark to his wife
that night was simply to the effect that whenever the child looked at
him she knocked him galley-west.
"Miss Ross, a lady that paints, gave me the sunshade," said Rebecca,
when she had exchanged looks with Mr. Cobb and learned his face by
heart. "Did you notice the pinked double ruffle and the white tip and
handle? They're ivory. The handle is scarred, you see. That's because
Fanny sucked and chewed it in meeting when I wasn't looking. I've never
felt the same to Fanny since."
"Is Fanny your sister?"
"She's one of them."
"How many are there of you?"
"Seven. There's verses written about seven children:--
"'Quick was the little Maid's reply,
O master! we are seven!'
I learned it to speak in school, but the scholars were hateful and
laughed. Hannah is the oldest, I come next, then John, then Jenny, then
Mark, then Fanny, then Mira."
"Well, that IS a big family!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account