Recently Recovered "Lost" Tudor Plays with some others
History
Recently Recovered "Lost" Tudor Plays with some others
English drama -- Early modern and Elizabethan, 1500-1600; Interludes, English; Moralities, English
comforts"--"_Intentio_ _judicat quenquam_" (357,_a_), "The
intention decides everything"; no doubt proverbial--"_In
principio_" (364,_d_), "in the beginning": the first two words
of the Latin version of St. John's Gospel--"_Confiteor_".
.. _Deo gratias_ _.. . Deo gratias ago tibi_" (366,_b_), "I
confess ... thanks be to God ... God I thank thee": see Luke
xviii. 11--"_Tu testimonium. .. est verum_" (367,_a_), "Thou
bearest testimony of thyself; and thy testimony is not true"; an
adaptation of John viii. 13--"_Qui vivit. .. seculorum secula_"
(368,_a_), "Who lives through the infinite ages of age." _Amended
Readings, Corrigenda, Suggestions, &c._ The collation is A to
Civ in 4s, with A1,_v_ blank.--Names of Players are not in the
original.--The colophon is transferred from Civ,_v_--Stage
directions and words in brackets do not appear in the original:
this is not further mentioned in these notes--"_Et_ a te
_gemitus_" (351,_b_), _a te_ not in original--"As it _ravisheth_
the soul" (351,_c_), original _rauysshet_--"such a pulpit man to
_lose_" (352,_b_), original _lese_--"_Reponde_, tunc, _domine_"
(352,_d_), original _tunice_--"that same death _thou shalt_
die" (353,_a_), erroneously given in my text: the original has
_shalt_ _thou_--["_The continuation seems imperfect_"], there may
be several causes for this. Certainly here, as in other places,
there are no signs whatever in original of mutilation or of lines
omitted. The text goes straight on, though the relation of one
part to another is by no means obvious. The whole play seems
curiously incomplete and scrappy, even for early dramatic effort,
oftentimes of the "thinnest" and crudest. True, the action may
be modelled somewhat on the lines of Heywood's _Pardoner and
the Friar_, in which the "interruptions" of one speaker with
another lead to "business." Or the play may be a mere fragment
of the "book," as it left the author's hands--surreptitious,
unauthorised, or unrevised. In the former case, especially
assuming that it was intended as a kind of a "dramatic sermon,"
the action shows order of a kind: commencing with what is
obviously intended as the commencement of an exhortation and
omitting the "comic" and "lighter" parts, the sermon would,
in a measure, be naturally complete by "following on" the
speeches as follows: _St. John_ _the Evan._ 351,_b_ to 352,_a_;
_Irisdision_, 353,_c_ (with asides, incentives, or interruptions)
to 356,_a_; _St. John the_ _Evan._ 357,_b_ to 358,_a_; then comes
an "interval," and the discourse is resumed at (JE365,_c_ to end)
winding up with the "application" which was soon to form such an
important feature in Puritan worship. So for the point directly
at issue; but another puzzle confronts the student and one
concerning which at this early stage I do not pretend to offer a
solution.
Public-domain text, read in full here on John Shaqi.
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