Recollections and impressions of James A. McNeill WhistlerEddy, Arthur Jerome
General
Recollections and impressions of James A. McNeill Whistler
Eddy, Arthur Jerome
Painters -- United States -- 19th century -- Biography; Whistler, James McNeill, 1834-1903
To correct these dilatory habits Captain Benham conceived the brilliant
idea of having a fellow-clerk of punctual habits call each morning for
Whistler and bring him to the office on time. The captain believed that
the example and influence of a more methodical companion would reform
the erring one and get him to the office at nine o’clock; but it turned
out quite otherwise, for Whistler proved so charming a host each morning
that both were late.
At the end of a week the mentor reported that his efforts were wasted
and unless relieved he, too, would acquire the obnoxious habit, for each
morning Whistler managed to so interest him in the mysteries of
coffee-making and the advantages of late breakfasts that it was
impossible to get away.
Of him and his habits in those days a fellow-draughtsman,[1] who is
still in the service, says:
“He was about one year younger than myself, and therefore about
twenty years old at that time. He stayed but a little over three
months, and I have not met him since, but retain a more vivid
recollection of his sojourn than of that of many other draughtsmen
who succeeded him and remained much longer. This may be partly for
the reason that Captain Benham, who was then in charge of the
office, told me that Whistler’s father had been a star graduate of
West Point and a distinguished engineer, and requested me to be
attentive to the new appointee; it may also be for the reason that
there was something peculiar about Whistler’s person and actions
quite at variance with the ordinary run of my experience.
“His style of dress indicated an indifference to fashion which,
under circumstances, might be changed into emancipation when
fashion, for instance, went into extremes and exacted personal
discomforts. I certainly cannot remember Whistler with a
high-standing collar and silk hat, which was then the universal
custom. Classical models seemed to be his preference, a short
circular cloak and broad-brimmed felt hat gave him a finish which
reminded one of some of Rembrandt’s celebrated portraits. His
_tout ensemble_ had a strong tinge of Bohemianism which suggested
that his tastes and habits had been acquired in Paris, or, more
concisely speaking, in the Quartier Latin; indeed, he always spoke
of Paris with enthusiasm. His manners were those of an easy
self-reliance which conveyed the impression that he was a man who
minded his own business, but that it would not be exactly safe to
cross his paths.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account