Recollections of a chaperonSullivan, Arabella Jane
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Recollections of a chaperon
Sullivan, Arabella Jane
English fiction -- 19th century
The first person she saw, as she entered the Duchess’s, was Lionel
Delville. She was not prepared for this, and it annoyed her
considerably. She was forced into his society before she had by any
means decided on the line of conduct, or rather the tone of manner (for
the whole question was an affair of manner), which she meant to adopt.
He instantly greeted her with a serious air of tender interest and
concern, and ventured to look in her eyes with an inquiring expression,
as if he expected to ascertain how her tête-à-tête with Lord
Montreville had gone off. His eyes disconcerted her. She was distressed
at meeting them. She looked in every other direction; but although she
might avoid seeing them upon her, she could not avoid feeling them
upon her. She made careless, indifferent, insipid remarks, in rather a
higher pitched voice than was common to her.
Lionel saw that she had been lectured, perceived that she was no longer
at her ease, and took courage from her evident _gêne_. He expressed
his happiness at meeting her again “so soon;” said he had come to the
Duchess’s because he had imagined it likely she might prefer a quiet
party to a ball “that evening,” and enquired whether he might call “as
usual.” His whole air had in it something confidential, as if there
existed between them a mystery, which both understood, without any need
of explanation. In vain Lucy tried to be easy, and to laugh—to be any
thing but mysterious. She answered, “Oh, yes!” or “to be sure,” and “I
suppose so,” in an affectedly loud and unconcerned tone, to all the
half-whispered expressions of solicitude which he was pouring into her
ear. Whatever subject she started, he contrived to throw a shade of
sentiment over it. She thought herself safe in dashing into the last
speech of Lord Thorcaster, and loudly declared her admiration of his
eloquence; for she had passed the preceding night with her head through
the ventilator of the House of Commons. This led to a discussion upon
eloquence, and Lionel said “he could imagine circumstances in which
there might be more eloquence in three short words, than in all the
flowing sentences, the rounded periods, the flowers of rhetoric,
employed by sages and senators since the world began.”
“Eloquence in three words! What can they be?”
He kept his face looking straight forward, but uttered, in a low,
clear, musical voice, which reached her ear, and her’s alone, “What
think you of the three words ‘I love you?’”
Lucy felt hot all over; but she rejoined, with what calmness she could
command, “I should say those three words conveyed an agreeable,—or,
perhaps, a disagreeable fact, in the plainest and simplest manner, and
had nothing to do with eloquence.”
Lionel saw he had gone too far. “When your little boy first lisps,
‘Mamma, I love you!’ I think you will agree with me, that there can be
eloquence in the words.”
Public-domain text, read in full here on John Shaqi.
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