enjoyment produces the too common product of the _blasé_ man and the
cynic. Wordsworth early perceived that all, even the richest, natures
have but a very limited capacity of uninterrupted enjoyment, and that
nothing is easier than to exhaust this capacity. Hence he set himself to
husband it, to draw upon it sparingly, to employ it only on the purest,
most natural, and most enduring objects, and not to speedily dismiss or
throw them by and demand more, but to detain them till they had yielded
him their utmost. From this in part it came that the commonest sights of
earth and sky—a fine spring day, a sunset, even a chance traveller met on
a moor, any ordinary sorrow of man’s life—yielded to him an amount of
imaginative interest inconceivable to more mundane spirits. The simple
healthiness and strict frugality of his household life suited well, and
must have greatly assisted, that wholesome frugality of emotion which he
exercised.
During those seven or eight Grasmere years, the spring of poetry which
burst forth at Alfoxden, and produced the first volume of ‘Lyrical
Ballads,’ flowed steadily on and found expression in other poems of like
quality and spirit,—‘Hartleap Well,’ ‘The Brothers,’ ‘Michael,’ which,
with others of the same order, written in Germany, appeared in the second
volume of ‘Lyrical Ballads.’ And after these two volumes had gone forth,
Grasmere still gave more of the same high order,—‘The Daffodils,’ ‘The
Leech-Gatherer,’ and above all the ‘Ode on Immortality.’ It was too the
conclusion of the ‘Prelude,’ and the beginning of the ‘Excursion.’ So
that it may be said that those Grasmere years, from 1800 to 1807, mark
the period when Wordsworth’s genius was in its zenith. During all this
time, sister Dorothy was by his side, ministering to him, equally in body
and in mind—doing the part of household servant, and not less that of
prompter and inspirer of his highest songs.
But this life of theirs, retired and uneventful as it seems, was not
without its own incidents. Such was the homecoming of their younger
sailor-brother John, who, in the first year of their residence at
Grasmere—
‘Under their cottage roof, had gladly come
From the wild sea a cherished visitant.’
Public-domain text, read in full here on John Shaqi.
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