Hospital. We were glad to leave Dumfries, which is no agreeable place to them who do not love the bustle of a town that seems to be rising up to wealth. We could think of little else but poor Burns, and his moving about on that unpoetic ground. In our road to Brownhill, the next stage, we passed Ellisland at a little distance on our right, his farmhouse. We might there have had more pleasure in looking round, if we had been nearer to the spot; but there is no thought surviving in connexion with Burns’s daily life that is not heart-depressing. Travelled through the vale of Nith, here little like a vale, it is so broad, with irregular hills rising up on each side, in outline resembling the old-fashioned valances of a bed. There is a great deal of arable land; the corn ripe; trees here and there—plantations, clumps, coppices, and a newness in everything. So much of the gorse and broom rooted out that you wonder why it is not all gone, and yet there seems to be almost as much gorse and broom as corn; and they grow one among another you know not how. Crossed the Nith; the vale becomes narrow, and very pleasant; cornfields, green hills, clay cottages; the river’s bed rocky, with woody banks. Left the Nith about a mile and a half, and reached Brownhill, a lonely inn, where we slept. The view from the windows was pleasing, though some travellers might have been disposed to quarrel with it for its general nakedness; yet there was abundance of corn. It is an open country—open, yet all over hills. At a little distance were many cottages among trees, that looked very pretty. Brownhill is about seven or eight miles from Ellisland. I fancied to myself, while I was sitting in the parlour, that Burns might have caroused there, for most likely his rounds extended so far, and this thought gave a melancholy interest to the smoky walls. It was as pretty a room as a thoroughly dirty one could be—a square parlour painted green, but so covered over with smoke and dirt that it looked not unlike green seen through black gauze. There were three windows, looking three ways, a buffet ornamented with tea-cups, a superfine largeish looking-glass with gilt ornaments spreading far and wide, the glass spotted with dirt, some ordinary alehouse pictures, and above the chimney-piece a print in a much better style—as William guessed, taken from a painting by Sir Joshua Reynolds—of some lady of quality, in the character of Euphrosyne. ‘Ay,’ said the servant girl, seeing that we looked at it, ‘there’s many travellers would give a deal for that, it’s more admired than any in the house.’ We could not but smile; for the rest were such as may be found in the basket of any Italian image and picture hawker.