It may be questioned that I have written from memory—or it may be a
matter of surprise that I have remembered so well. While my mother lived
this period in our lives was often talked of and its memory kept green.
My father, being ill in the second story of the hospital, knew little or
nothing of the experiences I underwent at Corinth, but was more familiar
with what took place at Jackson. Five or six letters written by my
mother to friends in the North have been carefully preserved. They were
mostly hurriedly written and contain only brief allusions to our doings,
but from them I have gathered dates and hours of arrival and departure,
and by them my memory has been refreshed on several points. But for the
most part I have been entirely dependent upon my own memory. I have
written only of scenes and events that I remember best. Many of them are
as clear to me as the happenings of yesterday, while some half-faded
memories have struggled vainly for utterence and have necessarily been
forever consigned to oblivion. There is a possibility that I may be
mistaken in a few of my statements, but it must be remembered that it is
a long and dusty bridge over which I have traveled to reach and gather
them up.
As this is not a story of fiction, I have given the names of all that I
remember who were in any way connected with it, in the hope that there
are yet some of the number living who will read my little narrative and
recognize their own part in it. Should such be the case, my joy at
hearing from any or all of them could not be expressed. I have written,
that there might be a record of the facts, that my sister and brothers
might become familiar with them, and because I love to dwell upon the
incidents of my “army life,” as I sometimes term it. Lastly, I have
written that it might be as a memorial to my brave, courageous mother,
who, with her own hands, ministered so tenderly to the sick and wounded
with whom she was brought in close contact. Whether this ever reaches
the public eye is a question. Should it be so fortunate, I ask the
public to read with kindly criticism, remembering that it is the story
of the child told in the language of the adult.
INTRODUCTORY
1862-1899. The line between the dates represents a bridge as it were of
thirty-seven planks, and each plank a year. It takes but a single stroke
of the pen to make the little bridge of ink representing the years; but
can I measure the smiles and tears, the joys and sorrows, that are
crowded into each year? Can I retrace my steps, passing on the way the
graves that have opened and closed on some of earth’s best and dearest
treasures, and gather from the past a few memories that the corroding
cares of life and the ever onward-rushing “flood of years” have not
wholly obliterated from my mind? I can but try, and in so doing I feel
constrained to cry out,
Public-domain text, read in full here on John Shaqi.
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