To treat the early beliefs and traditions of mankind as if they were attempts at scientific explanation of the world, only erroneous and absurd attempts, is thus to be guilty of a great mistake. The material out of which philosophy finally emerges is irrelevant to science and to explanation. It is figurative, symbolic of fears and hopes, made of imaginations and suggestions, not significant of a world of objective fact intellectually confronted. It is poetry and drama, rather than science, and is apart from scientific truth and falsity, rationality or absurdity of fact in the same way in which poetry is independent of these things. This original material has, however, to pass through at least two stages before it becomes philosophy proper. One is the stage in which stories and legends and their accompanying dramatizations are consolidated. At first the emotionalized records of experiences are largely casual and transitory. Events that excite the emotions of an individual are seized upon and lived over in tale and pantomime. But some experiences are so frequent and recurrent that they concern the group as a whole. They are socially generalized. The piecemeal adventure of the single individual is built out till it becomes representative and typical of the emotional life of the tribe. Certain incidents affect the weal and woe of the group in its entirety and thereby get an exceptional emphasis and elevation. A certain texture of tradition is built up; the story becomes a social heritage and possession; the pantomime develops into the stated rite. Tradition thus formed becomes a kind of norm to which individual fancy and suggestion conform. An abiding framework of imagination is constructed. A communal way of conceiving life grows up into which individuals are inducted by education. Both unconsciously and by definite social requirement individual memories are assimilated to group memory or tradition, and individual fancies are accommodated to the body of beliefs characteristic of a community. Poetry becomes fixated and systematized. The story becomes a social norm. The original drama which re-enacts an emotionally important experience is institutionalized into a cult. Suggestions previously free are hardened into doctrines.