Before I left Boulogne, the yearly solemnity of the distribution of
prizes took place. This was, at Madame Faudier's, as at all French
schools of that day, a most exciting event. Special examinations
preceded it, for which the pupils prepared themselves with diligent
emulation. The prefect, the sub-prefect, the mayor, the bishop, all the
principal civil and religious authorities of the place, were invited to
honor the ceremony with their presence. The courtyard of the house was
partly inclosed, and covered over with scaffoldings, awnings, and
draperies, under which a stage was erected, and this, together with the
steps that led to it, was carpeted with crimson, and adorned with a
profusion of flowers. One of the dignified personages, seated around a
table on which the books designed for prizes were exhibited, pronounced
a discourse commendatory of past efforts and hortatory to future ones,
and the pupils, all _en grande toilette_, and seated on benches facing
the stage, were summoned through the rows of admiring parents, friends,
acquaintances, and other invited guests, to receive the prizes awarded
for excellence in the various branches of our small curriculum. I was
the youngest girl in the school, but I was a quick, clever child, and a
lady, a friend of my family, who was present, told me many years after,
how well she remembered the frequent summons to the dais received by a
small, black-eyed damsel, the _cadette_ of the establishment. I have
considerable doubt that any good purpose could be answered by this
public appeal to the emulation of a parcel of school-girls; but I have
no doubt at all that abundant seeds of vanity, self-love, and love of
display, were sown by it, which bore their bad harvest many a long year
after.
I left Boulogne when I was almost nine years old, and returned home,
where I remained upwards of two years before being again sent to school.
During this time we lived chiefly at a place called Craven Hill,
Bayswater, where we occupied at different periods three different
houses.
Public-domain text, read in full here on John Shaqi.
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