Red and White: A Tale of the Wars of the RosesHolt, Emily Sarah
History
Red and White: A Tale of the Wars of the Roses
Holt, Emily Sarah
Great Britain -- History -- Wars of the Roses, 1455-1485 -- Fiction; Historical fiction
The interval between the battles of St. Albans and Wakefield—five years
and a half—had changed most of the _dramatis personæ_, but had not in
any degree altered the sanguinary character of the struggle. Richard
Duke of York was gone—killed at Wakefield: Suffolk was gone, a victim to
popular fury. King Henry and Queen Marguerite were still the prominent
figures on the Lancastrian side, joined now by their son Prince Edward.
On the York side were the three sons of Duke Richard,—Edward, George,
and Richard, whose ages when the story opens were twenty-eight,
nineteen, and seventeen. Which of these three young men possessed the
worst character it is difficult to judge, though that evil eminence is
popularly assigned to Richard. Edward was an incorrigible libertine;
not a bad organiser, nor devoid of personal bravery, though it usually
appeared by fits and starts. He could do a generous action, but he was
irremediably lazy, and far weaker in character than either of his
brothers. One redeeming point he had—his personal love for his blood
relations. But it was not pure love, for much selfishness was mixed
with it. Perhaps really the worst of the three was George, for he was
not merely an ingrained self-seeker, but also false to the heart’s core.
No atom of trust could ever be placed in him. The most solemn oath
taken to-day was no guarantee whatever against his breaking through
every engagement to-morrow. The Dutchman’s maxim, "Every man for
mineself," was the motto of George’s life. Each of the brothers spent
his life in sowing seeds of misery, and in each case the grain came to
perfection: though most of the harvest of George and Richard was reaped
by themselves, while Edward’s was left for his innocent sons to gather.
It may reasonably be asked why Warwick is counted among the
Lancastrians, when to a great extent Edward owed his throne to him, and
he had been a consistent Yorkist for years. It is because, at the
period when the story opens, Warwick thought proper so to account
himself. King Henry, never able to see through a schemer or a traitor,
had complacently welcomed him back to his allegiance: Queen Marguerite,
who saw through him to the furthest inch, and held him in unmitigated
abhorrence, felt that he was necessary at this moment to her husband’s
cause, and locking her own feelings hard within her, allowed it to be
supposed that she was able to trust him, and kept sharp watch over every
movement.
Public-domain text, read in full here on John Shaqi.
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