So saying, she almost pushes the woman out of the room, and herself
follows her. Through long passages and corridors, full of emptiness and
darkness--darkness utter and complete, save where through the gallery's
high-stained east window the chilly, chilly dawn comes peeping, with a
grey glimmer, about the black frames, never closing eyes, and stiff,
prim simpers of the family portraits--down to the lower regions, where
the huge kitchen-grate yawns, black as Erebus--up steep back-stairs
along other passages. In one of these passages Esther stands, her frame
trembling and teeth chattering with cold and nervous excitement, while
her companion raps with broad, hard knuckles on a door, and loudly
calls on Simpson to awake. But hard workers are hard sleepers, and it
is some time before the coachman can be induced to leave the country
of slumber. When at length he is aroused, and has come out to them,
in all the yawning sulkiness of disturbed sleep, it is a still longer
time before he can be induced to admit the possibility of _any_ vehicle
whatever being put at Esther's disposal: with so righteous a fear of
his wrath has Sir Thomas succeeded in inspiring his subordinates.
It is not without the aid of all her remaining money, with the
exception of what is needed for the purchase of her railway ticket--not
without the aid of all that is left of poor Jack's hardly-spared
five-pound note--that she is able at length to induce him to consent
to the getting ready of the dog-cart "in which the under-servants goes
to church." Fully three-quarters of an hour more elapse before one
of the helpers can be knocked up, can dress himself, can harness the
oldest and screwiest horse in the stables, and put him, with many a
muttered grumble, into the cart. Wretched Esther follows the man and
his lanthorn to the stable-yard, with the vain idea that her presence
may hurry his movements. During most of the three-quarters of an hour
she walks quickly up and down over the hard, round stones with which
the yard is paved, or stands watching, with greedy eyes, every step
in the harnessing process; while her hands clench themselves, as his
are clenched who is dead by some very cruel, violent death, and a
pain like a red-hot, two-bladed knife keeps running through her heart.
Before the horse is well between the shafts, she has climbed into the
cart and taken her seat.
"The luggage is not in yet, 'm," suggests the groom, respectfully.
"Oh! never mind the luggage," cries Esther, feverishly; "I don't want
it! I don't want anything! I'm ready! Get in, please, and set off this
minute!"
Public-domain text, read in full here on John Shaqi.
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