The common-place question brings her back to life. "No, none," she
answers, collecting herself; and so saying walks into the station,
and, taking refuge in the waiting-room, sinks down upon a green Utrecht
velvet chair.
Owing to the earliness of the hour, other occupant of the room is there
none; neither is there any fire (a fire always looks in good spirits;
it never has the blues). Alongside of the empty fire-place stands a
stiff, green Utrecht velvet sofa, and round the bare table more green
Utrecht velvet chairs. Opposite to Esther, against the wall, hangs a
roll of texts. Involuntarily her haggard eyes lift themselves to them,
and light upon this one--which, under the slightly inappropriate title
of "Encouragements to Repentance," heads the list: "Woe to me, for I am
undone!" She shudders, "Is it an omen?" turns away her head quickly,
and tries to look out of window, but the wire-blind hinders her gaze.
Once again, "Woe is me, for I am undone!" standing out clear and black
in large type from the white paper, greets her eyes. She can bear it no
longer, but rising hastily, runs out, and begins to walk swiftly up and
down the platform.
Brainton is a large station--a junction of many lines. Engines are
snorting and puffing about; boilers letting off steam, with a noise
calculated to break the drum of any ear; tarpaulin-covered waggons
standing shunted on side lines. A train has just come in, and is
disgorging its human load; a man with a hammer is walking along by
the side of it, stooping and tapping the wheels; porters are driving
luggage-piled trucks before them, and shouting out, "By your leave!"
to any unwary traveller who may cross the relentless path of their
Juggernaut: other parties are enduring and answering, with angelic
patience and _bonhomie_, the agitated and incoherent questions of
unprotected females in waterproof cloaks and turn-down hats. Everybody
and everything is rampantly _alive;_ even to his handiwork, man seems
to have imparted some of his own intense vitality; to the engines he
has given motion and voice--motion and voice ten thousandfold stronger
than his own.
In her hurried walks, Esther suddenly comes face to face with a
fair-haired youth, who, followed by a porter carrying a gun-case, is
walking lightly along with his hands in his pockets, whistling for very
lightheartedness,
"I paddle my own canoe."
Public-domain text, read in full here on John Shaqi.
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