Jack's tune! What business has he to whistle it? All fair-haired
youths, with nothing very prominent in any of their features, are
more or less alike; and this amount of resemblance the unknown bears
to her boy. Long after he has passed her, amid the shrieking of the
engines, the shouts of the porters--"Take your seats for Wolverhampton,
Birmingham!" "All here for Chester, Warrington, and Manchester?"--the
well-known tune echos faintly back to her ears. An overpowering,
blinding, deafening rush of feeling comes over her; she sits down
hastily on a bench that is near at hand, in close proximity to an
Irish labourer, with a blue-spotted bundle, and, careless of the
contaminating contact, buries her head in her hands, and rocks to and
fro in a paroxysm of despair.
It is one of those incontrovertible facts that we all know to be true,
and that we all feel to be false, that every hour is of the same
length; that in an hour of Elysium there are sixty whole minutes, and
that in an hour of Hades there are only sixty. In Esther's hour of
waiting there are, however, seventy-five minutes, as the train is a
quarter of an hour late.
"Is it a fast train?" she asks eagerly of the bearded guard, who, with
the politeness inborn in guards, opens the carriage-door for her.
"No, miss," he answers, with suavity--"slow train, miss; stops at
every station; 6.10 was the fast train, miss!"
Off at last, sliding slowly at first past platform, officials, trucks,
book-stalls, dowdy women and dusty men; then the wind comes beating
with a strong rush against Esther's cheeks, blowing back her hair, as
they fly through the air at the rate of fifty miles an hour.
Public-domain text, read in full here on John Shaqi.
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