In the meadow below the house, Jack's sheep are browsing--the
Cheviots that he was so proud of: down the stony, steep back-road the
cart-horses come jogging, to be watered at the pool at the hill-foot.
With shortened breath and straining muscles, Esther runs fleetly past
them, not daring to look into the carter's face. Through the gate, by
the stables, and then the familiar little old house comes in sight,
with its high-pitched roof and its old-fashioned chimney-pots. White
pigeons are walking about on the gravelled sweep, bowing and scraping,
and making love, with a formal solemnity worthy of Sir Charles
Grandison. The Virginia creeper's scarlet banners wave from the wall;
the hall-window is open; on the ledge lies a tabby cat, with one eye
open and the other shut; two cocks are crowing in emulous rivalry in
the farmyard. Everything looks peaceful, happy, _alive_. Gathering a
little feeble hope from these signs, Esther collects her small remnant
of breath, and runs towards the door. She has nearly reached it, when,
stepping hastily out from the porch, one comes to meet her: _one_, but
not _the_ one: he will pass through that porch but once again, and then
not of his own accord, but borne heavily on others' shoulders. Unable
to frame any speech, Esther looks up mutely in Brandon's face (for it
is he), and there reads her doom. "He is dead--he is dead!" she sees
written wetly on either eye.
"He is better off than we are," says the young man, brokenly, taking
hold of both her hands.
She sits down heavily on the bench in the porch: what hurry is there
now? After all, it is but a poor shabby remnant of us that Death gets
when he makes his final claim upon us; in most of us the greater,
better part has died long before. Of Esther, three-fourths died as she
sat on the oak bench in the porch that autumn morning: breath remained,
and blood still circulated through veins and arteries, and speech and
hearing were left; but youth, and hope, and heart, died very suddenly
and utterly, to come back to life again never any more. She sits
staring vacantly at the seat opposite her for several minutes, and then
speaks distinctly, almost loudly: "How long ago?"
"About eight," answers Brandon, briefly and sadly, turning away his
head to hide his womanish tears for the young fellow that fell asleep
so gently in his arms, in the early morning, when other folks were
waking.
"What was it killed him?" asks the girl, in the same hard, clear voice.
Bob looks at her in astonishment: he had been steeling himself against
faintings, hysterics, a terrible scene of shrieks and waitings, but
this conscious stony collectedness fills him with a fearful surprise.
"It was diphtheria," he answers, sorrowfully taking her hand again, and
stroking it, while his hot tears fall thick upon it.
She leaves it in his, passive as the hand of a statue, unknowing,
indifferent, whether he held it or not.
Public-domain text, read in full here on John Shaqi.
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