Another hour of waiting at Berwyn--another hour before there is any
train for the branch line that leads to Glan-yr-Afon--any train, at
least, that stops at so insignificant a station. Another hour of
tramping in forlorn, impotent impatience up and down the platform,
hustled by a hurrying crowd, who know nothing, and care, if possible,
less, about her and her grief. Well, if every one in England wept for
every one else's sorrows, the noise of tears and sobbings would drown
the whirring of all the mills in Leeds and Manchester--the booming of
all the cannon at Shoeburyness. It is half an hour past noon, when,
almost before the train has stopped at the little wayside station,
Esther springs out. She is the only passenger for Glan-yr-Afon; and the
man who unites in himself the functions of station-master and porter
looks at her with a recognising eye. He must know whether Jack is alive
or dead. He looks much as usual, but so he would whether Jack were
alive or dead. Feeling an overmastering sense of fear of and repugnance
from the news he may have to give her, she runs to the little wicket
that leads out into the road.
"Your ticket, please, miss!" cries the man, following her.
She had forgotten it; it takes a minute to extricate it from her glove;
she thinks that he looks as if he were going to speak; and, in a blind
terror of what he might say, turns from him and rushes down the road.
Any suspense is better than some certainties.
CHAPTER XX.
The mountains stand still and drowsy in the sleepiness of midday.
Through the mistiness of the air, the russet glories of the dying
bracken blaze on their breasts: the oak-woods still keep their deep
dusk green, but the sycamore has felt the kiss of winter, and is
growing red and sere beneath it. The sun is reigning, sole despot of
the sky, having banished every rebel cloud beyond the horizon's limits.
It is almost always fine weather when we are most miserable. Whatever
poets say to the contrary, Nature is not sympathetic: rather is she
very insolent to us in her triumphant, durable beauty. She loves to say
to us, "Though you are weeping, my eyes are dry: though you are very
sick and feeble, I am strong and fair: though you are most short-lived,
here to-day and gone to-morrow, I am eternal, I _endure_."
Public-domain text, read in full here on John Shaqi.
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