"I have not the slightest desire in life to play tricks with him; if
I ever do play tricks, I hope it will be with some one more amusing,"
answers Essie, very pettishly, looking excessively mutine and
ill-humoured. "I don't care if I never hear his ugly name again; he
has spoilt the dinner and made you as cross as two sticks; and--and--I
wish he was _dead, that_ I do!" concludes happy Mr. Brandon's _fiancée_
weeping.
CHAPTER IV.
Morning is come again. The sun cannot bear to be long away from
his young sweetheart, the earth, so he has come back hasting, with
royal pomp, with his crown of gay gold beams on his head, with his
flame-cloak about his strong shoulders, and with a great troop of
light, flaky clouds--each with a reflex of his red smile on its
courtier face--at his back. He has come back to see himself in the
laughing blue eyes of her seas and streams, and to rest at noontide,
like a sleepy giant, on her warm green lap.
The daily miracle--the miracle that none can contest, to which all
are witness, has been worked--the resurrection of the world. And this
resurrection is not partial, not limited to humanity, as that final one
is towards which the eyes of the Christian church have been looking
steadfastly for eighteen centuries and a half; but every beast and
bird and flower has shaken off Death's sweet semblance, his gentle
counterfeit, and is feeling, in bounding vein and rushing sap, the
ecstatic bliss of the mystery of life. If we never slept, we should not
know the joy of waking; if we never woke, we should not know the joy of
sleep. How, I marvel, shall we _feel_ the happiness of heaven, if we
never lose, and consequently regain it?
The thrushes and blackbirds are already in the midst of their glees
and madrigals and part songs. They sing the same songs every day, so
that they are quite perfect in them; and they are all very joyful ones.
In their sweet flute-language there are no words expressive of sorrow
or pain; they know of no minor key. There were twenty roses born last
night, and the flowers are all rejoicing greatly. They are smiling and
whispering and gossiping together; the sweet peas, like pink and purple
butterflies,
".....on tiptoe for a flight,
With wings of delicate flush o'er virgin white,"
each half-inclined to hover away with the young west wind that is
sighing such a little gentle story all about himself into their ears.
The lambs, grown so big and woolly that one might almost mistake them
for their mothers, are leaping and racing and plunging about in the
field below the house, in the giddiness of youth, unprescient of the
butcher. Hated of Miss Craven's soul as much as ever were the blind and
lame of King David's are those too, _too_ agile sheep. Grievously prone
are they to ignore the low stone wall of partition, and work havoc and
devastation among the aster tops and cabbage shoots of her garden.
Public-domain text, read in full here on John Shaqi.
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