Ordinarily, Miss Blessington is a prude; but to appear for an instant
before her betrothed in light-blue cashmere lined with blue satin, and
her hair in golden rain about her shoulders, is, she thinks, for once
permissible. Has he come to make some demonstration of affection?--to
give her some warmer greeting than the nonchalant handshake with which
they met? Or has he, has he--oh sweeter, warmer thought!--brought her
a present from Ireland? Visions of Irish poplin, Irish lace, bog-oak
and gold, cunningly fashioned together into bracelet or necklace, float
before her mind's eye. In a moment, with a little affected coyness on
her face, she stands before him; stands before him--and he does not
even see her! He has opened one of the rusty casements in the passage,
and thrust his head out, feeling the keen eastern blast blow against
his throbbing brow with a sense of relief. He has evidently no gift
in his hand, nor does he seem to be assailed by any very overpowering
temptation to embrace her, blue and gold and white miracle though she
be. Hearing her he turns, and the expression of his countenance is glum.
"I say, does this sort of thing happen every day?"
"What sort of thing?" (with a little pique at the errand on which she
has been called away from among her cosmetics).
"This feeding, I cannot call it dining, like savages, at mid-day?"
"It is a fancy of my uncle," replies Constance, with the door-handle
still in her hand; "he imagines that, if he dined later, he should not
have time to digest his food before going to bed."
St. John utters an impatient exclamation. "In Heaven's name let him
digest in bed, then; or, if not, let him dine by himself! I'm sure no
one would object to that arrangement. Poor old boy! he can't help it;
but it does take away one's appetite to see a very old man mumbling his
food, like a toothless old dog over a bone."
"I suppose he may dine at what hour he chooses in his own house?" says
Constance, coldly.
"Of course he may. He may go back to the manners and customs of the
ancient British," rejoins Gerard, impatiently; "he may get up in
the middle of the night and paint himself in blue-and-white stripes,
instead of wearing coat and waistcoat, if he chooses--only he can
hardly expect civilized beings to join him."
"I always think it right, on principle, to humour old people's whims,"
answers Constance, taking the high moral tone that she has adopted more
than once since their engagement in any discussion with her lover, a
tone symptomatic of what the postnuptial line of attack is likely to be.
Public-domain text, read in full here on John Shaqi.
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