the short winter daylight to the inserting of such a tucker, and to
cutting the funereal body square. The alterations have been effected,
now the Sunday frock is on: if it had been costliest velvet or satin,
instead of papery silk at two-and-sixpence a yard, its black could not
have contrasted better with the milkwhite of the long lily throat and
swelling bust. Esther has lost flesh a good deal lately; but, being
small-boned and thoroughly well-made, no unsightly hollows show as yet,
like salt-cellars, beneath her collar-bones--not yet are elbows or
shoulders sharp. Brilliancy of colouring is gone; but the head, arched
like the Clytie's, is still left, and great plenty of night-dark hair
to clothe it. Instead of the unnatural protuberance of a chignon, she
has arranged this hair in the thick plain twists with which in the old
time Miss Blessington's betrothed used--
.......... "to play
Not knowing----,"
and, so playing, spoke in loving commendation of them. In like twists
Miss Blessington herself often disposes her locks--twists purchased by
her for a considerable price from M. Isidore, golden hair being hard to
match, and consequently expensive.
It is five minutes to six. The toilette is finished, and Esther stands
before the glass considering it; but with none of the triumphant
self-content with which a fine woman usually regards the victory
that art and nature, fighting side by side, have achieved on the
battle-field of her face. Colour had been Esther's strong point, and
colour has gone from her; as it goes from a violet sent in a letter,
or from a poppy dried between the leaves of a love-song. A raging
desire for rouge, raddle, plate-powder--anything to bring back that
flower-flush that used to need no persuasion to stay with her--enters
her mind. But neither rouge nor raddle is near, and for plate-powder
she would have to apply to the butler--an effort for which not even
her great wish to appear once more red-cheeked before her ex-lover can
nerve her. Suddenly, her eyes fall on a spray of scarlet geranium,
that, plucked this morning in the conservatory, she has worn all day
in the breast of her dress. A recollection comes to her of having,
when a child, crushed one of those dazzling flowers against the face
of another child, and of having laughed with pleasure at the scarlet
stain. She snatches up eagerly some of the petals, and rubs them on her
cheeks; the hue produced, though too scarlet for nature, is vivid and
beautifying. She sets to work on the other cheek.
Public-domain text, read in full here on John Shaqi.
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