"Something new! something new!" cried the Athenians; and across two
thousand years we catch up and echo their greedy cry. But why do we?
We all know well enough that there is nothing new; there was not even
in King Solomon's time--not even in all his treasure-house, nor among
his seven hundred wives. What an advantage those ancients who saw the
world's infancy had over us--over us, who have to content ourselves
with the lees of the wine, which the few dropped ears scattered about
the great reaped harvest field! Who would not fain have lived in the
days when nothing had yet been said--when everything, consequently,
remained to be said? Who could be trite then, in that blest epoch when
platitudes were unborn, when _Tupper_ was an impossibility, and even
the statement that two and two make four had something startlingly
novel about it? _Then_ a man's thoughts were his own, his _very_ own,
his own by the best of all rights--creation; _now_ they are the bastard
product of ten thousand buried men's dead ideas.
Original is a pleasant word, is it not?--fair and well-sounding; but it
is like the sample figs at the top of the box: it represents nothing,
or something infinitely smaller than itself behind and underneath it.
Is it too much to say that it is impossible to find an original idea in
any writer we wot of? You meet, perhaps, some day in a book a thought,
an image that strikes you. You say, "This is this thinker's own; there
is the stamp of this one individual mind upon it;" when lo! mayhap but
a few hours later you are reading the thoughts of some elder scribe,
one that has been dust nigh ten or twenty centuries back, and you find
the same thought, half fledged or quarter fledged, only in the egg,
perhaps--but still it is there. There is nothing new under the sun.
And if this is true of other subjects, how much truer of that most
outworn, threadbare old theme, Love! The world has been spinning
round six thousand years at the lowest, most exploded computation;
in any thousand years there have been thirty or forty generations,
and each unit in every one of those generations, if he has lived to
man's estate, has surely loved after one fashion or another. Whosoever
has done any worthy thing, whosoever has sent out his thoughts in
writing or speech or action to the world, has felt the stirrings of
this strange instinct; unconsciously it has moulded and permeated his
deeds and his words: and yet, old as it is, we are not tired of it,
any more than we are of the back-coming green of the spring, or the
never-extinguished lamps of the stars.
Public-domain text, read in full here on John Shaqi.
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