The dusty blast blows gentler, moderates to a dusty zephyr; the
train is slackening speed. "Fel--ton!" "Fel--ton!" cry a row of
green-fustianed porters, as the long bulk draws up at the platform.
"Please 'm, are you Miss Craven?" inquires a tall footman in powder and
a cockade, touching his hat to Esther, as she stands all by herself,
trying to take several beams out of her own eye.
"Yes."
"The carriage is here for you, 'm. Would you please to show me which is
your maid and luggage?"
"I have no maid, and there's my luggage," responds Esther, pointing
with one grimy kid finger to a small trunk standing on its head, and
looking half inclined to burst asunder in the midst. She is ashamed of
her destitute condition, and ashamed of herself for being ashamed of it.
"Will it change into a pumpkin?" thinks Miss Craven, as she steps into
a large yellow barouche, with two fidgety, showy greys, that is waiting
for her at the station gate. After the yammering of the baby, the dull
rumble-rumble of the train, how delicious! "If it were only my own,"
she says to herself, throwing herself back with a consequential feeling
on the soft cushions, as some country people pass and pull their
forelocks to the well-known liveries.
"Well, odder things have happened! _But_ for Bob! The Prince fell in
love with Cinderella at first sight; why should not Prince Gerard with
me? I dare say I'm quite as good-looking as Cinderella was!"
As they pass Lady Gerard's model school, twenty little charity girls
come trooping out in the uniformity of their cotton frock and straw
bonnet livery, and drop twenty bob courtesies to Esther, who feels as
the man in the "Arabian Nights" did who woke and found himself Sultan.
Labouring men go stumping heavily home, with their tools over their
shoulders and their heads bent earthwards, as is always the case with
the tillers of the soil, who must--oh, hard necessity!--be ever looking
down.
Park palings, through which the strong brake fern is thrusting itself,
slide past; then a red lodge, picked out with blue bricks, where an
obsequious old woman rushes out from the washtub, with hands all
soapsuds, to open the gates; then a grassy, knolly park; then a great
red house, likewise picked out with blue bricks; then stones clattering
under an echoing portico; then the pumpkin stops, and Cinderella
descends.
Public-domain text, read in full here on John Shaqi.
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