Although Miss Blessington looks shocked, St. John only laughs. He looks
pleasant when he laughs; he did not look pleasant just now, when he was
turning up his nose at his cold soup. When he is in an ill-humour he
has a decided look of his father, though it puts him into an awful rage
to tell him so. He is not handsome, certainly; not a straight-nosed,
pink-cheeked, flaxen-curled, fairy prince at all; neither is he very
young--not a boy, that is to say--five-and-thirty, or thereabouts;
his face has a weather-beaten look, as of one that has felt many an
icy wind and many a tropic sun beat against it. No lily-handed, curled
woman's darling.
"What do you mean?" cries Sir Thomas, raising his voice, and turning
round in a fury (with his stiff grey hair standing upright, and the
veins in his forehead swelling) upon an unlucky footman, who has had
the _maladresse_ to drop three spoons that he was carrying upon a tray.
"You stupid hound, mind what you are about, or else keep out of the
room, one or the other!"
Esther's mouth opens; she feels a sensation of shamefaced aghastness;
but the rest of the company sit with the composure induced by long
familiarity with the good old English gentleman's courtesies. Only one
little flash of indignant contempt shoots from St. John's grey eyes.
"How I hate my father!" would be his reading of the great statesman's
dying ejaculation, "How I love my country!"
Nobody ever speaks much at dinner at Felton. St. John because he knows,
if he trusted himself to speak at all, it would be to contradict his
father flat _whatever_ he said, for the mere pleasure of contradicting
him; Lady Gerard because she has heard that it is impossible to do two
things well at the same time, and as she is quite resolved upon doing
the eating part well, she thinks she will leave the talking alone; Miss
Blessington because, having contributed her hard, cold beauty to the
entertainment, she thinks she has done enough.
The company being rather silent, Esther turns her eyes round the room,
and scans the pictures. Two or three Gerards, by Sir Thomas Lawrence,
in very full dress; a large copper-coloured woman by Rubens, in no
dress at all; "Susanna and the Elders;" "Jupiter and Leda" (twice
life-size); a "Venus Sleeping, surprised by Satyrs" (a great gem);
and many other like subjects, such as one mostly meets with in the
dining-rooms of English nobles and gentles--subjects pleasant and
profitable, to employ the eyes and minds of their daughters while
engaged in eating their dinners. Esther is staring hard at Susanna's
fat, coy face, when her attention is recalled by Mr. Gerard's voice
addressing her. She starts and blushes furiously, like a child whose
fingers have been found straying among the jam-pots. He looks amused at
her confusion.
Public-domain text, read in full here on John Shaqi.
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