"Since he means to throw me over, it is as well to be beforehand with him," she says to herself, her eyes fixed pensively on the revolving black and yellow wheel; "in such cases it is always best to take the initiative. It would have been very pleasant, so high up out of the dust; but what have I to do with aristocratic vehicles? A gig, a wheelbarrow, a pig-tub--such are the only conveyances I am likely to have experience of in after-life; why then inoculate myself with a taste for luxuries that are for my betters?" And meanwhile St. John holds dreary converse with himself, while a river of sound, on which the words Nilsson, Romeo e Giulietta, Schneider, drums, Holland House, garden party float, pours into his ear from the direction of his companion. "She is honest, at all events; does not relish my society, and does not affect to do so; tolerated me only as long as I was useful, like a dog, in fetching and carrying. Why am I so unpopular with women? Is it what I do, what I say, or what I am, that makes me so? Is it anything mendable or unmendable?" * * * * * Precisely seventeen minutes past two of the clock, the Melford town-hall clock, and visitors are beginning to arrive pretty thickly; three or four barouches, seven or eight waggonettes, and nine or ten pony-carriages, are trotting and walking and crawling up the steep Melford street. Climbing the side of a house is child's play to the ascent of that most perpendicular of high streets. The doctor's house, red, and with redder berries thick about its plate-glass windows, stands on your right as you go up the town. The Doctor and the Doctress are issuing from the brass-knockered hall door--she in a grey moire antique, that old Mrs. Evans' quinsy paid for, and gold bracelets that took their rise from Mr. Watkin's decline and fall. The town-hall stands in its grey limestone respectability in the market place, over against the Bell Inn; it has an arched doorway, and under this arch man, woman, and child go pacing in little, smart tulle bonnets and black hats, with their purses full of small change, and their hearts of that most excellent virtue--Christian charity. Round the hall counters are ranged, and behind these counters stand a phalanx of young women, prepared to exert their little abilities in overreaching and circumventing their fathers, lovers, and brothers, to the utmost. Miss Blessington's stall is next-door neighbour to poor Mrs. Tomkins', the Felton curate's fat, childridden wife--as, in some foreign city, they tell us that you may see marble palaces and mud hovels cheek by jowl; for, as is a mud hovel to a marble palace, so is poor Mrs. Tomkins in the Melford table of valuation to Miss Blessington.