He watches her changing, flushing, paling face, with a keen solicitude
which surprises himself. What can this downy, baby-faced rustic have to
confess? Now for Bob! Now is the time--now or never! Sing, oh goddess,
the destructive wrath of St. John, the son of Thomas! What time, place,
situation, can be suitabler for such a tale? It is an hour and a half
past midnight; they love one another madly, and they are alone.
Are they alone, though? Is this one of the statues stepped down from
its pedestal in the hall that is coming in at the door, severely,
chilly, fair, with a candle in its hand?
"Miss Craven!" ejaculates Constance (for it is she), stopping suddenly
short, while a look of surprised displeasure ripples over her calm,
smooth face.
Silence for a second on the part of everybody.
"It is a pity, St. John," says Miss Blessington, drawing herself up,
and looking an impersonation of rigid, aggressive, pitiless virtue,
"that you and Miss Craven should choose such a very unseasonable time
for your interviews; it is not a very good example for the servants, if
any of them should happen to find you here."
"The servants have something better to do than to come prying and
eavesdropping upon their betters," retorts St. John, flushing angry-red
to the roots of his hair, and not taking the most conciliatory line of
defence.
"You are mistaken if you think I have been eavesdropping," says
Constance, with dignified composure, her grave face looking out
chastely cold from the down-fallen veil of her yellow hair. "I could
not sleep, and came down to look for a book. Pray don't let me disturb
your _tête-à-tête!_" making a movement towards going.
"Don't be a fool, Conny!" cries St. John, hastily, in bitter fear of
having compromised Esther by his ill-advised detention of her: "it is
the purest accident your having found Miss Craven and me together here!"
"I am well aware of that," she answers, with a little smiling sneer.
"You know what I mean, perfectly well: it is the purest accident our
_being_ here. Miss Craven lost her locket, and----"
"And" (smiling still)--"and you have been helping her to look for it.
Yes, I see. Well, I--hope you will find it. Good-night!" going out and
closing the door behind her.
"What did she say?--what does she mean?" cries Essie, panting, and with
a face hardly less white than her dress.
"What does it matter what she means? She's a fool!" answers St. John,
wrathfully. "Go to bed, and don't think about her; who cares?"
But he looks as if he did care a good deal.
CHAPTER XVI.
Public-domain text, read in full here on John Shaqi.
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