Miss Greeby had explored the wood before and knew exactly where to find the cottage mentioned by Lady Garvington. On the verge of the trees she saw the blue smoke of the gypsies' camp fires, and heard the vague murmur of Romany voices, but, avoiding the vagrants, she took her way through the forest by a winding path. This ultimately led her to a spacious glade, in the centre of which stood a dozen or more rough monoliths of mossy gray and weather-worn stones, disposed in a circle. Probably these were all that remained of some Druidical temple, and archaeologists came from far and near to view the weird relics. And in the middle of the circle stood the cottage: a thatched dwelling, which might have had to do with a fairy tale, with its whitewashed walls covered with ivy, and its latticed windows, on the ledges of which stood pots of homely flowers. There was no fence round this rustic dwelling, as the monoliths stood as guardians, and the space between the cottage walls and the gigantic stones was planted thickly with fragrant English flowers. Snapdragon, sweet-william, marigolds, and scented clove carnations, were all to be found there: also there was thyme, mint, sage, and other pot-herbs. And the whole perfumed space was girdled by trees old and young, which stood back from the emerald beauty of untrimmed lawns. A more ideal spot for a dreamer, or an artist, or a hermit, or for the straying prince of a fairy tale, it would have been quite impossible to find. Miss Greeby's vigorous and coarse personality seemed to break in a noisy manner--although she did not utter a single word--the enchanted silence of the solitary place.