Again Miss Greeby pointed to the picture. "She's very pretty." "I shouldn't have painted her otherwise." "Oh, then the original of that portrait does exist?" "Could you call it a portrait if an original didn't exist?" demanded the young man tartly. "Since you want to know so much, you may as well come to the gypsy encampment on the verge of the wood and satisfy yourself." He threw on a Panama hat, with a cross look. "Since when have you come to the conclusion that I need a dry nurse?" "Oh, don't talk bosh!" said Miss Greeby vigorously, and springing to her feet. "You take me at the foot of the letter and too seriously. I only came here to see how my old pal was getting on." "I'm all right and as jolly as a sandboy. Now are you satisfied?" "Quite. Only don't fall in love with the original of your portrait." "It's rather late in the day to warn me," said Lambert dryly, "for I have known the girl for six months. I met her in a gypsy caravan when on a walking tour, and offered to paint her. She is down here with her people, and you can see her whenever you have a mind to." "There's no time like the present," said Miss Greeby, accepting the offer with alacrity. "Come along, old boy." Then, when they stepped out of the cottage garden on to the lawns, she asked pointedly, "What is her name?" "Chaldea." "Nonsense. That is the name of the country." "I never denied that, my dear girl. But Chaldea was born in the country whence she takes her name. Down Mesopotamia way, I believe. These gypsies wander far and wide, you know. She's very pretty, and has the temper of the foul fiend himself. Only Kara can keep her in order." "Who is Kara?" "A Servian gypsy who plays the fiddle like an angel. He's a crooked-backed, black-faced, hairy ape of a dwarf, but highly popular on account of his music. Also, he's crazy about Chaldea, and loves her to distraction." "Does she love him?" Miss Greeby asked in her direct fashion.