But he was thunderstruck to hear a young orator of sixteen or seventeen
declaim about breaking up the Union, under certain circumstances, as if
it were a worthless old hulk, stuck in the mud. It had never occurred
to Middleton that it was possible, and he had always understood that
it was not. However, he was reassured by the warmth with which others
defended the Union, and the ardor with which toasts were drunk to it.
Jacquelin himself was a stanch Democrat, like his father. He confided
to Middleton that Blair was a Whig, because her father was one; but
that a girl did not know any better, and that she really did not know
the difference between them.
The entertainment consisted of dancing—quadrilles and “the Lancers,”
and after awhile, the old Virginia reel. In the first, all the young
people joined, and in the last, some of the old ones as well. Middleton
heard Steve urging their host’s sister, Miss Gray—“Cousin Thomasia”
as Steve called her—a sweet patrician-faced lady, to come and dance
with him, and when she smilingly refused, teasing her about Major
Legaie. She gave him a little tap with her fan and sent him off with
smiling eyes, which, after following the handsome boy across the hall,
saddened a second later as she lifted the fan close to her face to
arrange the feathers. Steve mischievously whisked Blair off from under
Jacquelin’s nose and took her to the far end of the line of laughing
girls ranged across the hall, responding to Jacquelin’s earnest protest
that he was just going to dance with her himself, with a push—that
unanswerable logic of a bigger boy.
“But you did not ask me!” said Miss Blair to Jacquelin, readily taking
the stronger side against her sworn friend.
“Never mind, I’m not going to dance with you any more,” pouted
Jacquelin as he turned off, his head higher than usual, to which Miss
Blair promptly replied: “I don’t care if you don’t.” And she held
her head higher than his, dancing through her reel apparently with
double enjoyment because of his discomfiture. Then when the reel
had been danced again and again, with double couples and fours, to
ever-quickening music and ever-increasing mirth, until it was a maze
of muslin and radiance and laughter, there was a pause for rest. And
someone near the piano struck up a song, and this drew the crowd. Many
of the girls, and some of the young men, had pleasant voices, which
made up by their natural sweetness and simplicity for want of training,
and the choruses drew all the young people, except a few who seemed to
find it necessary to seek something—fans or glasses of water, in the
most secluded and unlikely corners, and always in couples.
Public-domain text, read in full here on John Shaqi.
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