Steve Allen, who was always a reckless talker, however, used to say
that the stain was nothing but a bit of red sandstone which had
outcropped at the point where that huge fragment was broken off, and
rolled along by a glacier thousands of years ago, far to the northward;
but this view was to the other children’s minds clearly untenable; for
there never could have been any glacier there—glaciers, as they knew
from their geographies, being confined to Switzerland, and the world
having been created only six thousand years ago. The children were
well grounded by their mothers and Miss Thomasia in Bible history.
Besides, there was the picture of the “Indian-killer,” in the black
frame nailed in the wall over the fireplace in the great hall, and one
could not go anywhere in the hall without his fierce eyes following you
with a look so intent and piercing that Mammy Celia was wont to use it
half jestingly as a threat effectual with little Jacquelin when he was
refractory—that if he did not mind, the “Indian-killer” would see him
and come after him. How often Mammy Celia employed it with Jacquelin,
and how severe she used to be with tall, reckless Steve, because he
scoffed at the story, and to tease her, threatened, with appropriate
gesture, to knock the picture out of the frame, and see what was in
the secret cabinet behind it! What would have happened had Steve
carried out his threat, Jacquelin, as a boy, quite trembled to think;
for though he admired Steve, his cousin, above all other mortals, as
any small boy admires one several years his senior, who can ride wild
horses and do things he cannot do, this would have been to engage in a
contest with something supernatural and not mortal. Still he used to
urge Steve to do it, with a certain fascinating apprehensiveness that
made the chills creep up and down his back. Besides, it would have
been very interesting to know whether the Indian’s scalp was still in
the hollow space behind the picture, and if so, whether it was still
bleeding, and that red stain on the bottom of the frame was really
blood.
Public-domain text, read in full here on John Shaqi.
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