Transcriber's Notes:
1. Page scan source:
http://books.google.com/books?id=N48nAAAAMAAJ
(New York Public Library)
2. The diphthong oe is represented by [oe].
RED ROWANS
RED ROWANS
BY
MRS. F. A. STEEL
AUTHOR OF "MISS STUART'S LEGACY," ETC.
New York
MACMILLAN AND CO.
AND LONDON
1895
_All rights reserved_
Copyright, 1894,
By MACMILLAN AND CO.
RED ROWANS: A LOVE STORY.
PROLOGUE.
"Love took up the Harp of Life and
.... smote the Chord of Self."
"Am I really like yon?"
A small brown hand pointed peremptorily to a finished drawing on a
sketcher's easel hard by, and a pair of blue eyes frowned somewhat
imperiously at a young man, who, with one knee on the ground, was
busily searching in the long grass for a missing brush, while palette
and colours lay beside him ready to be packed up. The frown, however,
was lost on the back of his head, for he gave a decisive denial,
without turning round to look at the questioner.
The girl's eyes shifted once more to the drawing, and an odd, wistful
curiosity came to her face as she took a step nearer to the easel.
What she saw there was really rather a clever study of herself as she
had been standing a few moments before, erect, yet with a kind of
caress towards the branch full of scarlet rowan berries, which one
round firm arm bent down from the tree above, against her glowing
face. There was a certain strength in the treatment; the artist had
caught something of the glorious richness of colouring in the figure
and its background, but the subject had been too much for him, and he
admitted it frankly. In truth, it would have needed a great painter to
have done Jeanie Duncan justice as she stood under the rowan tree that
autumn evening, and Paul Macleod was at best but a dabbler in art.
Still, it was a truthful likeness, though the nameless charm which
belongs to one face and not to another of equal beauty of form--in
other words, the mysterious power of attraction--had escaped pencil
and brush. There was nothing spiritual in this charm; it was
simply the power which physical beauty has sometimes to move the
imagination--almost the spiritual nature of men; and, such as it was,
it breathed from every curve of Jeanie Duncan's face and form. She was
very young, not more than seventeen at the most, and, as yet, in that
remote Highland glen, where every girl, regardless of her appearance,
had a jo, the pre-eminence of her own good looks had never dawned upon
her. So there was no mock humility in the words which followed on
rather a long pause.
Public-domain text, read in full here on John Shaqi.
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