Reflections on the Music Life in the United States — John Shaqi
Reflections on the Music Life in the United StatesSessions, Roger
History
Reflections on the Music Life in the United States
Sessions, Roger
Music -- United States
The tradition of “dissatisfaction” has been a decisive factor also
in a different sense. The once familiar metaphor of the “melting
pot” is today outmoded, possibly through thorough assimilation. In
stressing the element of “dissatisfaction at home” in the backgrounds
of Americans of widely differing origins, we are not only throwing
into relief a common and unifying element of these peoples, but we
imply also great diversity of content in the experience itself--a
diversity, which still persists, of motives and impulses in American
life. Without devaluating the concept of the “melting pot,” or denying
the fusion of peoples into one nation, we may recognize the problems
and the consequent modes of thought involved in accomplishing such a
fusion. This process has involved the reconciliation, to a degree, of
the varied and contrasting motives which impelled heterogeneous groups
of people to become American, and which became original, organic, and
sometimes very powerful ingredients of our culture. It was necessary to
build quickly, and to avoid catastrophic collisions of these various
elements. Possibly in a manner similar to the influence of empire
building on the cultural habits regarded as most typically British,
the factors just mentioned have clearly contributed to two tendencies
discernible in our own thinking habits: on the one hand, a certain
predilection for abstractions, preconceptions, and slogans; on the
other, a prevalent tendency to think primarily in pragmatic terms, that
is, in those of concrete situations rather than of basic principles.
Both modes of thinking have admirably served our national ends, and, in
their more extreme manifestations, sometimes worry and exasperate the
thoughtful among us. Those who regard us with a jaundiced eye accuse
us, on the one hand, of pedantry, and on the other, of opportunism; and
it is certainly true that the pedants and opportunists among us know
well how to exploit these tendencies.
As far as music in the United States is concerned, the influence
of these two modes of thought has been noticeable, if not always
propitious. Fundamentally, however, these tendencies have little to do
with either pedantry or opportunism. We have had the formidable tasks
of both establishing standards which should keep pace with a tremendous
expansion of intellectual and creative activity and which should serve
to give this activity order and direction; and as well, of establishing
a mode of life within which our heterogeneous elements could find
a means of coexistence without dangerous clashes of principle or
ideology--clashes which could easily have proved lethal to either the
unity of a growing nation or our concept of liberty.
II
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