Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of artWinckelmann, Johann Joachim
Philosophy
Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of art
Winckelmann, Johann Joachim
Aesthetics -- Early works to 1800; Art -- Philosophy; Art, Greek
The grand games were always a very strong incentive for every Greek youth
to exercise himself. Whoever aspired to the honours of these was obliged,
by the laws, to submit to a trial of ten months at Elis, the general
rendezvous; and there the first rewards were commonly won by youths, as
_Pindar_ tells us.[3]_To be like the God-like Diagoras_, was the fondest
wish of every youth.
Behold the swift Indian outstripping in pursuit the hart: how briskly his
juices circulate! how flexible, how elastic his nerves and muscles! how
easy his whole frame! Thus _Homer_ draws his heroes, and his Achilles he
eminently marks for “being swift of foot.”
By these exercises the bodies of the Greeks got the great and manly
Contour observed in their statues, without any bloated corpulency. The
young Spartans were bound to appear every tenth day naked before the
Ephori, who, when they perceived any inclinable to fatness, ordered them
a scantier diet; nay, it was one of _Pythagoras_’s precepts, to beware of
growing too corpulent; and, perhaps for the same reason, youths aspiring
to wrestling-games were, in the remoter ages of Greece, during their
trial, confined to a milk diet.
They were particularly cautious in avoiding every deforming custom; and
_Alcibiades_, when a boy, refusing to learn to play on the flute, for
fear of its discomposing his features, was followed by all the youth of
Athens.
In their dress they were professed followers of nature. No modern
stiffening habit, no squeezing stays hindered Nature from forming easy
beauty; the fair knew no anxiety about their attire, and from their loose
and short habits the Spartan girls got the epithet of Phænomirides.
We know what pains they took to have handsome children, but want to be
acquainted with their methods: for certainly _Quillet_, in his Callipædy,
falls short of their numerous expedients. They even attempted changing
blue eyes to black ones, and games of beauty were exhibited at Elis, the
rewards consisting of arms consecrated to the temple of Minerva. How
could they miss of competent and learned judges, when, as _Aristotle_
tells us, the Grecian youths were taught drawing expressly for that
purpose? From their fine complexion, which, though mingled with a vast
deal of foreign blood, is still preserved in most of the Greek islands,
and from the still enticing beauty of the fair sex, especially at Chios;
we may easily form an idea of the beauty of the former inhabitants, who
boasted of being Aborigines, nay, more antient than the moon.
And are not there several modern nations, among whom beauty is too common
to give any title to pre-eminence? Such are unanimously accounted the
Georgians and the Kabardinski in the Crim.
Public-domain text, read in full here on John Shaqi.
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