_Ah miser ægrota putruit cui mente salillum!_ I am no stranger to those merits of the modern artists which you oppose to the ancients: but at the same time I know, that the imitation of these alone has elevated the others to that pitch of merit; and it would be easy to prove that, whenever they forsook the ancients, they fell into the faults of those, whom alone I intended to blame. Nature undoubtedly misled Bernini: a _Carita_ of his, on the monument of Pope Urban the VIIIth, is said to be corpulent, and another on that of Alexander the VIIth, even ugly[174]. Certain it is, that no use could be made of the Equestrian statue of Lewis XIV. on which he had bestowed fifteen years, and the King immense sums. He was represented as ascending, on horseback, the mount of honour: but the action both of the rider and of the horse was exaggerated, and too violent; which was the cause of baptizing it a Curtius plunging into the gulph, and its having been placed only in the Thuilleries: from which we may infer, that the most anxious imitation of nature is as little sufficient for attaining beauty, as the study of anatomy alone for attaining the justest proportions: these Lairesse, by his own account, took from the skeletons of Bidloo; but, though a professor in his art, committed many faults, which the good Roman school, especially Raphael, cannot be charged with. However, it is not meant that there is no heaviness in his Venus; nor does it clear him from the faults imputed to him in the Massacre of the Innocents, engraved by Marc. Antonio, as has been attempted in a very rare treatise on painting[175]; for there the female figures labour under an exuberance of breasts; whereas the murderers look ghastly with leanness: a contrast not to be admired: the sun itself has spots.