Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of artWinckelmann, Johann Joachim
Philosophy
Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of art
Winckelmann, Johann Joachim
Aesthetics -- Early works to 1800; Art -- Philosophy; Art, Greek
Indeed the sublimer allegory of the ancients has not been transmitted to
us, without the loss of its most valuable treasures: it is poor, when
compared with the second kind, which is often provided with several
symbols for one idea. Two different ones, signifying the happiness of
the times, are expressed on coins of the emperor Commodus: the one a
lady[231], sitting with an apple or ball in her right, and a dial in her
left hand, beneath a leafy tree: three children are before her, two in a
vase or flower-pot, the usual symbol of fertility: the other represents
four children, who, as is clear by the things they bear, are the seasons.
Both have the subscription FELICITAS TEMPORVM.
But these, and all the symbols that want inscriptions, are of a lower
rank; and some of them might as well be taken for signs of different
ideas. Hope[232] and Fertility[233], for instance, might be Ceres,
Nobility[234], Minerva. Patience[235], on a coin of Aurelian, wants her
true characteristick, as does Erato; and the Parcæ[236] are only by their
garments distinguished from the Graces. On the contrary, ideas which are
often confounded in morality, as Justice and Equity, are extremely well
distinguished by the ancients. The former is represented, as drawn by
_Gellius_[237], with a stern look, a diadem, and dressed hair[238]; the
latter with a mild countenance, and waving ringlets; ears of corn arising
from her balance, as symbols of the advantages of equity; and sometimes
she holds in her other hand[239] a cornu-copia.
Peace, on a coin of the emperor Titus, is to be ranked among those of a
more energetick expression. The goddess of Peace leans on a pillar with
her left arm, in the hand of which she holds the branch of an olive-tree,
whilst the other waves the caduceus over the thigh of a victim on a
little altar, which hints at the bloodless sacrifices of that goddess:
the victims were slaughtered out of the temple, and nothing but the
thighs were offered at the altar, which was not to be stained with blood.
Peace usually appears with the olive-branch and the caduceus, as on
another coin of this emperor[240]; or on a stool placed on a heap of
arms, as on a coin of Drusus[241]. On some of Tiberius’s and Vespasian’s
coins[242] Peace appears in the act of burning arms.
On a coin of the Emperor Philip there is a noble image; a sleeping
Victory: which, with better reason, may be taken for the symbol of
confidence in conquest, than for that in the security of the world as
the inscription pretends. Of an analogous idea was the picture, by which
the Athenian General Timotheus was ridiculed, for the blind luck with
which he obtained his victories: he was represented asleep, with Fortune
catching Towns in her Net[243].
Public-domain text, read in full here on John Shaqi.
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