[21] Sandrart Acad. P. II. L. 2. c. 6. p. 118. Conf. St. Gelais descr. des Tabl. du Palais Royal, p. 12. & seq. [22] Plin. Hist. Nat. L. 35. c. 10. [23] Lucian de Hist. Scrib. [24] Strabo Geogr. L. VIII. p. 542. [25] Vitruv. L. III. c. 1. [26] Borell. de motu animal. P. I. c. 18. prop. 142. p. 142. edit. Bernoull. [27] Stosch. Pierr. Grav. pl. XXXV. [28] Stosch Pierr. Grav. pl. XXXV. [29] Mariette Pierr. Grav. T. II. n. 94. [30] Stosch Pierr. Grav. pl. LIV. [31] Pausanias, L. VI. c. 7. p. 470. [32] Dioscorid. de Re Medica, L. V. c. 179. Conf. Salmas. Exercit. Plin. c. 15. p. 134. b. [33] Aristoph. Nub. v. 1178. ibid. v. 1363. Et Scholiast. [34] Observat. sur les arts, sur quelques morceaux de peint. & sculpt. exposés au Louvre en 1748, p. 18. [35] Riposo di Raffaello Borghini, L. I. p. 46. [36] See the Cupid by SOLON, Stosch. 64. the Cupid leading the Lioness, by SOSTRATUS, Stosch. 66. and a Child and Faun, by AXEOCHUS, Stosch 20. [37] Vide Bartoli Admiranda Rom. fol. 50, 51, 61. Zanetti Stat. Antich. P. II. fol. 33. [38] Vide Callistrat. p. 903. [39] Vide Philostrati Heroic. [40] Vide Baldinucci vita del Caval. Bernin. p. 47. [41] Vide Baldinucci vita del Caval. Bernin. p. 72. [42] Trattato della pittura e scultura, uso et abuso loro, composto da un theologo e da un pittore. Fiorenza, 1652. 4. [43] Bellori vite de’ pittori, &c. p. 300. [44] Richardson, Tom. III. p. 94. [45] Xenophon Memorab. L. III. c. 6, 7. [46] Vide Baldinucci vita del Cav. Bernini, p. 66. [47] Plin. Hist. Nat. L. 35. c. 10. [48] Quintilian. Instit. Or. L. 12. c. 19. [49] Idyll. 18. v. 29. [50] De Pile’s Conversat. sur la peint. [51] Du Bos Refl. sur la poesie & sur la peint. [52] The Stratonice was twice painted by Lairesse. The picture we talk of is the smallest of the two: the figure is about one foot and a half, and differs from the other in the disposition of the Parerga. [53] See Plutarch. in Demetr. & Lucian. de Dea Syria. [54] Vide Lettre de Mr. Huet sur la Pourpre: dans les Dissertat. de Tilladet. Tom. II. p. 169. [55] St. Real Cæsarion, T. II. Le Blanc Lettre sur l’Expos. des Ouvrages de Peint, &c. 1747. [56] De Oratore, L. II. c. 21. [57] Aristot. Rhet. L. I. c. 1. §. 4. [58] Xenophon Resp. Laced. c. 3. §. 5. [59] Origines Contra Cels. L. IV. p. 196. Edit. Cantabr. [60] Perrault sur Vitruve Explic. de la Planche IX. p. 62. [61] Dialog. Inconfus. p. 76. [62] Horapoll. Hierogl. c. 33. Conf. Blackwell’s Enq. into Hom. p. 170. [63] De Re rust. præf. ad L. I. §. 32. p. 392. Edit. Gesn. [64] Vitruv. L. IV. c. 1. [65] Travels, T. II. [66] Plutarch. Numa. p. 149. L. 14. Edit. Bryani. [67] Passerii Lucern. [68] Menage Diction. Etymol. v. Barroque. [69] Vide Desgodez Edifices antiq. de Rome, p. 91. [70] Bartoli Sepolcri Antichi, p. 67. ibid. fig. 91. [71] Perrault notes sur Vitruv. L. IV. ch. 2. n. 21. p. 118. [72] Martial, L. III. Ep. 41. 1. [73] Bellori Sepolchri ant. f. 99. [74] Virgil, Æn. V. v. 250. & seq.