Reflections; or Sentences and Moral Maxims — John Shaqi
Reflections; or Sentences and Moral MaximsLa Rochefoucauld, François duc de
Philosophy
Reflections; or Sentences and Moral Maxims
La Rochefoucauld, François duc de
Maxims
Sainte Beuve says that the cynical book and that young life were the
only fruits of the war of the Fronde. Madame de Sevigne, who was with
him when he heard the news of the death of so much that was dear to
him, says, "I saw his heart laid bare on that cruel occasion, and his
courage, his merit, his tenderness, and good sense surpassed all I ever
met with. I hold his wit and accomplishments as nothing in comparison."
The combined effect of his wounds and the gout caused the last years of
Rochefoucauld's life to be spent in great pain. Madame de Sevigne,
who was {with} him continually during his last illness, speaks of the
fortitude with which he bore his sufferings as something to be admired.
Writing to her daughter, she says, "Believe me, it is not for nothing he
has moralised all his life; he has thought so often on his last moments
that they are nothing new or unfamiliar to him."
In his last illness, the great moralist was attended by the great
divine, Bossuet. Whether that matchless eloquence or his own philosophic
calm had, in spite of his writings, brought him into the state Madame
de Sevigne describes, we know not; but one, or both, contributed to
his passing away in a manner that did not disgrace a French noble or a
French philosopher. On the 11th March, 1680, he ended his stormy life in
peace after so much strife, a loyal subject after so much treason.
One of his friends, Madame Deshoulieres, shortly before he died sent
him an ode on death, which aptly describes his state-- "Oui, soyez alors
plus ferme, Que ces vulgaires humains Qui, pres de leur dernier terme,
De vaines terreurs sont pleins. En sage que rien n'offense, Livrez-vous
sans resistance A d'inevitables traits; Et, d'une demarche egale, Passez
cette onde fatal Qu'on ne repasse jamais."
Rochefoucauld left behind him only two works, the one, Memoirs of his
own time, the other the Maxims. The first described the scenes in which
his youth had been spent, and though written in a lively style, and
giving faithful pictures of the intrigues and the scandals of the court
during Louis XIV.'s minority, yet, except to the historian, has ceased
at the present day to be of much interest. It forms, perhaps, the true
key to understand the special as opposed to general application of the
maxims.
Public-domain text, read in full here on John Shaqi.
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