Regeneration : $b A reply to Max NordauHake, A. Egmont (Alfred Egmont)
Philosophy
Regeneration : $b A reply to Max Nordau
Hake, A. Egmont (Alfred Egmont)
Nordau, Max Simon, 1849-1923. Entartung; World history
He acknowledges that the emotional nature of man has played a more
important part in the world than his intellect, and yet he seems
to have before his eyes an original type consisting exclusively
of intellect and devoid of emotions. If man’s destiny, his moral
condition, his education, his happiness, and his usefulness in the
world, were to be determined chiefly by his intellectual power, the
progress of the race would have been infinitely more slow than it has
been, and the bulk of individuals now alive would be far less removed
from the animal than they are.
It might be contended that, if not all, at least a large number of
religions have brought with them many evils, but, taking a broad view
of the work accomplished by them in comparison, not with what they
would have done had they been more perfect, but with that state which
would have prevailed had they never existed, no unprejudiced historian
will deny that civilization and the progress of our race have been
considerably accelerated through the influence of religions.
No religion is based on logic, and hardly ever were religious precepts
and dogmas accepted exclusively on intellectual grounds. Faith and
reasoning, considerably modified by emotion, have always formed the
basis of religious beliefs.
Not only in connection with religious matters, but in every event and
every development in human affairs, emotion has played an active and
prominent part. Such feelings as love, friendship, ambition, lust,
gratitude, hatred, revengefulness, patriotism, loyalty, chivalry, etc.,
are the great motive powers in the human drama, and when the intellect
steps in it is as their counsellor and their servant.
It is therefore legitimate and reasonable for those who wish to sway
human beings, who wish to educate them, elevate them, to address
themselves to their emotional nature. In the position in which man
is placed—living on a cosmic grain of sand, moving in space by an
inexplicable power at an inconceivable speed, without knowing who he is
and why he is—the mystical must perforce have a great attraction for
him. To be easily impressed by the mystical is therefore one of his
natural conditions, be it good, bad, or indifferent. When the emotional
nature of human beings is appealed to it is as rational for artists and
poets to address themselves to the love of the mystical as to the love
of the beautiful, and therefore there should be a legitimate place for
mysticism in art and poetry.
Public-domain text, read in full here on John Shaqi.
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