Regeneration : $b A reply to Max NordauHake, A. Egmont (Alfred Egmont)
Philosophy
Regeneration : $b A reply to Max Nordau
Hake, A. Egmont (Alfred Egmont)
Nordau, Max Simon, 1849-1923. Entartung; World history
In order to show how unreal Ibsen is, Nordau asks whether it is
probable that the joiner, Engstrand (in _Ghosts_), wishing to open
a tavern for sailors, should call upon his own daughter to be the
odalisque of his “establishment.” By using the word “odalisque,” and
by placing the word “establishment” between inverted commas, he gives
a distorted idea of the tavern Engstrand is going to open. It is a
question of a real tavern, not of an “establishment.” Girls in similar
taverns in Norway are of course exposed to temptations and sometimes to
insults, but they are by no means necessarily unchaste. In selecting
the employment in the tavern, Ibsen succeeds in giving an insight into
the Philistine character of Engstrand, who for the sake of money would
risk his daughter’s reputation, but who could always fall back on the
excuse that he did not intend to ruin her.
Nordau may be right when he says that no Paris doctor would have told
Oswald Alving in _Ghosts_ that he had softening of the brain. But Ibsen
does not say “softening of the brain”; he makes Alving say “a kind
of softening of the brain,” an expression which might very well be
Oswald’s interpretation of what the doctor had told him in very guarded
words. Moreover it is not as an alienist that Ibsen has gained his
fame; it is as a dramatist.
Nordau quotes as another example of unreality, the sense in which the
term “society” is used by the characters in the _Pillars of Society_.
This is an error into which Nordau has evidently been led by reading
a bad German translation of the piece. Ibsen’s characters do not
mean “social edifice,” as Nordau pedantically will have it, but the
well-to-do people in the community.
Again, he thinks that excuse very unreal which Berneck gives to his
foreman, whom he has not taken into his confidence. But this unreality
is precisely what Ibsen wishes the public to see, and he has evidently
not accentuated the unreality sufficiently, as this has escaped even
Nordau. Nordau does not find the speech of Pastor Rörlund realistic
enough. The fact is that the speech is a delightful parody, in no way
exaggerated, of those addresses which toadying sycophants all the world
over are in the habit of delivering to a magnate whom they desire to
propitiate. Any one who has heard such a speech in Norway will be
amusedly surprised by its comic realism.
Public-domain text, read in full here on John Shaqi.
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