Lesbians -- Fiction; Psychological fiction; Women teachers -- Fiction
Instantly a furious pen-scratching broke the hush. Louise glanced in the
direction of the sound, and smiled broadly. Agatha had begun. Miss
Hartill would have seen the joke, but the examiner was already absorbed
in the book he had taken from his pocket. Louise gazed idly about her.
So this was what the ordeal was like! There were her clean, blank papers
on the desk before her, and the printed list of questions. She supposed
she had better begin.... But there was plenty of time. She had a curious
sense of detachment. Her body surrounded her, rigid, quiescent, dreading
exertion. Her mind, on the contrary, was bewilderingly active,
consciously alive with thoughts, as she had once, under a microscope,
seen a drop of water alive with animalculi: thoughts, however, that had
no connection with real life as it at the moment presented itself:
thoughts that admitted the fact of the examination with a dreamy
impersonality that precluded any idea of participation. Her mind felt
comfortable in its warm bed of motionless flesh, would not disturb its
repose for all the ultimate gods might offer: but was interested
nevertheless in its surroundings, gazing out into them with the detached
curiosity of an attic-dweller, peering out and down at a dwarfed and
distant street. Yet each trivial object on which her eyes alighted gave
birth to a train of thought that led separately, yet quite inevitably,
to the memories that would shatter her quietude, as conscious and
subconscious self struggled for possession of her mind.
She stared at the intent backs of her neighbours. One by one they
hunched forward, as each in turn settled to work. Louise considered them
critically. What ugly things backs were! It was funny, but girls with
dark skirts always pinned them to their blouses with white safety-pins,
and _vice versa_. It made them look skewered.... Yet Miss Durand had
said that backs were the most expressive part of the whole body.... That
was the day they had seen the Watts pictures. But then the draperies of
the great white figure in "Love and Death" were not fastened up in the
middle with safety-pins.... That had been a wonderful picture.... She
knew how the boy felt, how he fought.... How long had he been able to
hold the door? she wondered. Characteristically, she never questioned
the ultimate defeat. It was terrible to be so weak.... But the Death was
beautiful.... pitying.... One wouldn't hate it while one resisted it, as
one hated Mamma.... Mamma, forcing her way into an attic.... Louise
writhed as she thought of it.
Public-domain text, read in full here on John Shaqi.
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