Regina, or the Sins of the FathersSudermann, Hermann
General
Regina, or the Sins of the Fathers
Sudermann, Hermann
Fiction
Feeling the ground with his stick, he pursued his way more cautiously
through the refuse and litter, amongst which he came across
occasionally a disused waggon or the rotten barrel of a brandy cask
held together by iron hoops. He went on, up the hill to the Castle. The
path was overgrown with brambles as tall as himself, and again he came
on traps, their wide open maws greedily eager to seize him by the leg.
The whole place seemed strewn with them--the only signs of civilisation
he had as yet encountered.
The Castle lay before him, with yawning window-frames and sundered
walls, a complete ruin. Piles of fallen tiles and plaster, between
which rank grass and weeds had sprung up, formed a mound round its
foundations. The vestibule, with its drooping rafters, had become a
perfect bower of creepers and evergreens, whose luxuriant growth seemed
almost impenetrable. A white tablet hung among the leaves, on which, in
his father's handwriting, were the words, "_Caution to trespassers_."
He shuddered at this, the first trace he had seen for six years of the
man to whom he owed his existence, and whom he had now come to bury.
In a few moments he would be standing probably beside his corpse.
But how was he to find it? What resting-place could his father have
found here while yet alive?
No door or unbroken window, no signs of a human habitation, were
visible amidst all this fearful wreckage. He turned, and walked slowly
the length of the Castle façade, past the towers which flanked the
gabled roof; here over the blackened stonework the ivy had begun to
grow afresh, enshrouding it in a peaceful melancholy. From this point
his eye caught a vista of the park, with its giant timber and wealth of
undergrowth. And then he saw a few yards off, on the grass-plot where
once had stood the statue of the goddess Diana, of which nothing now
was left but the shattered fragments and pedestal, a woman.... A
slender, strongly-built woman, with long plaits of dark curling hair
hanging down her back. Her primitive costume consisted of a red
petticoat and a chemise. She was digging energetically with a heavy
spade in the dark rich soil, and was apparently too engrossed to notice
his approach. She set her naked foot at regular intervals, as if
beating time on the hard edge of the spade, and with the slightest
possible pressure drove it deep into the earth. As she dug she sang a
song on two notes, a high and a low, which welled out of her full
breast like the sound of a sweet-toned bell. The chemise, a coarse and
roughly made garment, had slipped off her shoulders, laying bare the
strong, magnificently moulded neck. When he addressed her, she drew
herself erect with a sudden movement of surprise and alarm, and stood
before him half naked.
Public-domain text, read in full here on John Shaqi.
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