Regina, or the Sins of the FathersSudermann, Hermann
General
Regina, or the Sins of the Fathers
Sudermann, Hermann
Fiction
From the former, the door of which stood ajar, issued a powerful death
odour.
He went in. A body veiled in white lay on a low bier in the middle of
the close, gloomy little room.
"Leave me," he said, without looking round, and he threw back the
cloth.
His father's rigid features, covered with bristles, stared up at him.
The eyes had sunk far back in his head; the brows were contracted. In
the hollows of his cheeks bushy black hair had sprouted, while the
beard had turned partially grey. The short, thick nose had shrunk, and
close to the firmly-shut lips that had not parted in death lay a deep
line, denoting intense suffering, and, at the same time, defiant scorn;
as Boleslav looked down on it, the line seemed to deepen still more,
and at last to quiver and play round the mouth that was still for ever.
He dropped on his knees, and, with folded hands, prayed a paternoster.
His tears fell fast, and rained heavily on the waxen face of the dead
man.
"Your guilt is my guilt," he whispered hoarsely. "If I don't defend
your memory, who else will? No one in all the world."
Then he covered up the body again with the white cloth, for flies were
swarming round it. As he turned away, he observed the girl's dark head
pressed against the foot of the bier. Her symmetrical neck and
shoulders shone out in relief from the shadowy background.
"What are you doing here?" he demanded roughly. She crouched down,
shivering, and raised her left shoulder, as if to ward off a threatened
blow. Her eyes flashed a warm ray through the masses of her curly hair.
"No one has ever driven me away from him before," she murmured.
"But _I_ drive you away," he answered with decision.
She rose and quietly vanished. He tore open a window, for he felt half
suffocated, and then took a survey of the apartment. It was small and
wretched enough, and was filled up without any attempt at arrangement
with the most inappropriate and heterogeneous assortment of furniture,
most of it evidently rescued in haste from the fire; a gold-legged
table harmonised ill with rickety kitchen chairs; a peasant's canopied
bed stood near gorgeous consoles of inlaid marble, and a cracked
Venetian mirror hung beside a bullfinch's simple wicker cage. But
nothing looked more out of its element than the life-size portrait of
the beautiful Pole, his grandmother, and the original cause of all the
evil that had befallen him. Her haughty, arrogant eye still pierced the
distance triumphantly; the small gloved hand still grasped the flexible
riding-whip. "Kneel, slave," the full proud lips seemed to say. Only
the diamond pin which used to glitter in her bosom like a star was
gone, for just there the colour had warped, and the grey canvas beneath
was exposed to view. The once elegant and artistically carved frame
representing a garland of gilded roses and cupids had suffered too,
being chipped and cracked in various places, where patches of coarse
orange paint had been daubed on to repair the damage.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account