Reginald Bateman, Teacher and Soldier: A Memorial Volume of Selections from His Lectures and Other WritingsBateman, Reginald
History
Reginald Bateman, Teacher and Soldier: A Memorial Volume of Selections from His Lectures and Other Writings
Bateman, Reginald
Bateman, Reginald, 1884?-1918; English literature -- History and criticism; World War, 1914-1918
Francis Thompson was born at Preston, Lancashire, in 1859, the son of
Charles Thompson, a doctor, afterwards in practice at
Ashton-under-Lyne. His literary genius cannot be explained on any
theory of heredity. The fact that his father seemed absolutely (and
almost culpably) blind to his son's artistic nature seems to me to
account in large measure for the tragedy of Thompson's youth. Later,
when the son became famous, no one was more surprised than Charles
Thompson, but though the success of his son's poetry must have touched
his pride, it did not penetrate to his intellect, for he confessed that
he was quite unable to understand it. We must, then, acquit Charles
Thompson of having any act or part in his son's literary attainments;
and from all accounts, his mother was equally innocent of literary
talent.
But, though the poet owed none of his genius to his parents, he owed
them something more important, something which proved to be the very
life-spring of that genius, namely, his religious enthusiasm. Thompson
is first and last a religious poet. In him and his contemporary,
Patmore, Roman Catholicism, which had for centuries, almost, in fact,
since the days of Dante, relinquished to poets of other faiths the
chief glories of song, found a voice. The mysteries of religion were
Thompson's chief inspiration, the interpretation of them his highest
task. His father and mother, and the majority of his uncles and aunts
were converts to the Roman Catholic Church; but whereas their spirit of
worship was dumb, in Thompson all that is best in Roman Catholicism is
glorified in shining verse.
Thompson, however, is not a sectarian poet. He is too great for that.
It is the spirit of universal religion that breathes in his verse. The
poetry of the Victorian era, which for many years had been groping
after religious faith, found with Thompson the note of absolute
certainty. "The people that walked in darkness saw in him a great
light." "To be the poet of the return to Patmore is somewhat," he
said, "but I would be the poet of the return to God."
Public-domain text, read in full here on John Shaqi.
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