Reginald Bateman, Teacher and Soldier: A Memorial Volume of Selections from His Lectures and Other WritingsBateman, Reginald
History
Reginald Bateman, Teacher and Soldier: A Memorial Volume of Selections from His Lectures and Other Writings
Bateman, Reginald
Bateman, Reginald, 1884?-1918; English literature -- History and criticism; World War, 1914-1918
I wish sincerely that we could root out for ever and utterly abolish
the false notion that most students and many teachers have, that
Literature is not an important subject, that it is only a side-line,
very nice to know something about, but not in the same class with
"useful" and practical subjects like history and science. This is a
tremendous and a fatal misconception. It is by Art and Art alone that
Humanity progresses; progress in Science or in mere knowledge does not
necessarily mean progress in any of those things in which Man stands
supreme above the rest of creation, those spiritual qualities which
raise him to the level of the Divine. We know that a man may take a
course in Science, or any purely intellectual subject, and come out at
the end of it still uncultured and coarse-minded, with low ideals, with
the higher instincts undeveloped; he may go through a course of
Literature, too, it is true, and emerge in a similar condition, but not
if the Literature has been properly presented to him, and if he has
really assimilated the best thoughts of the highest minds.
Art is the source of our highest pleasure, the capacity for which
raises us above the beast. Without that capacity, men are no better
than sheep or goats "who nourish a blind life within the brain."
A thing of beauty is a joy for ever,
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep,
Full of sweet dreams, and health, and quiet breathing.
Not only is Literature the source of our highest pleasure, but it is
the source of our highest development. It is the most potent factor in
the slow process of raising Humanity to a higher spiritual level; it is
the true motive power of the world.
Well might the poet say of himself and his fellow poets:
We are the music-makers,
We are the dreamers of dreams,
Wandering by lone sea-breakers,
And sitting by desolate streams;--
World-losers and world-forsakers,
On whom the pale moon gleams:
We are the movers and the shakers
Of the world for ever it seems.
One man with a dream, at pleasure,
Shall go forth and conquer a crown:
And three with a new song's measure
Can trample a kingdom down.
Assuming, then, that the appreciation of literature as art, as the
record of spiritual experience, is the principal thing to be gained
from its study, the question arises how is such an appreciation to be
taught?
In what I am going to say on this subject, I will speak of poetry, and
you will understand my remarks to apply in a lesser degree to prose.
Public-domain text, read in full here on John Shaqi.
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