Rejected Addresses; Or, The New Theatrum PoetarumSmith, James
General
Rejected Addresses; Or, The New Theatrum Poetarum
Smith, James
Parodies
Of many who think themselves wise, and of some who are thought wise by
others, the exertions are directed to the revival of mouldering and
obscure dramas; to endeavours to exalt that which is now rare only
because it was always worthless, and whose deterioration, while it
condemned it to living obscurity, by a strange obliquity of moral
perception constitutes its title to posthumous renown. To embody the
flying colours of folly, to arrest evanescence, to give to bubbles the
globular consistency as well as form, to exhibit on the stage the piebald
denizen of the stable, and the half-reasoning parent of combs, to display
the brisk locomotion of Columbine, or the tortuous attitudinizing of
Punch;—these are the occupations of others, whose ambition, limited to
the applause of unintellectual fatuity, is too innocuous for the
application of satire, and too humble for the incitement of jealousy.
Our refectory will be found to contain every species of fruit, from the
cooling nectarine and luscious peach to the puny pippin and the noxious
nut. There Indolence may repose, and Inebriety revel; and the spruce
apprentice, rushing in at second account, may there chatter with
impunity; debarred, by a barrier of brick and mortar, from marring that
scenic interest in others, which nature and education have disqualified
him from comprehending himself.
Permanent stage-doors we have none. That which is permanent cannot be
removed, for, if removed, it soon ceases to be permanent. What
stationary absurdity can vie with that ligneous barricado, which,
decorated with frappant and tintinnabulant appendages, now serves as the
entrance of the lowly cottage, and now as the exit of a lady’s
bed-chamber; at one time insinuating plastic Harlequin into a butcher’s
shop, and, at another, yawning, as a flood-gate, to precipitate the
Cyprians of St. Giles’s into the embraces of Macheath? To elude this
glaring absurdity, to give to each respective mansion the door which the
carpenter would doubtless have given, we vary our portal with the varying
scene, passing from deal to mahogany, and from mahogany to oak, as the
opposite claims of cottage, palace, or castle may appear to require.
Public-domain text, read in full here on John Shaqi.
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